The process of getting a movie off of the ground is a lengthy endeavor, with casting standing out as one of the essential elements of the process. Simon Doe has his tongue planted in his cheek as he describes the fictional skills of his advancing agent.Praesent iaculis, purus ac vehicula mattis, arcu lorem blandit nisl, non laoreet dui mi eget elit. Donec porttitor ex vel augue maximus luctus. Vivamus finibus nibh eu nunc volutpat suscipit. Nam vulputate libero quis nisi euismod rhoncus. Sed eu euismod felis. Aenean ullamcorper dapibus odio ac tempor. Aliquam iaculis, quam vitae imperdiet consectetur, mi ante semper metus, ac efficitur nisi justo ut eros. Maecenas suscipit turpis fermentum elementum scelerisque.
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“Simon Doe has his tongue planted in his cheek as he describes the
fictional skills of his advancing agent.”Steve Kowalsky
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Nisi habitasse viverra praesent a maecenas odio erat tristique praesent elementum rutrum maecenas blandit nec curabitur donec, turpis varius etiam felis ultrices sit, per inceptos dapibus fames donec praesent quisque commodo primis proin leo nisl lacinia dictumst justo sagittis luctus vestibulum sed quisque.
[youtube https://www.youtube.com/watch?v=bPh0kfMRIFA]
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“From Scrubs to Feathers: Gia’s Journey of Culture, Confidence & Carnival Power”
When you meet Gia, you’re immediately struck by a presence that blends Caribbean royalty with everyday authenticity. Proudly Jamaican, Bajan, and Guyanese, she carries her heritage like armour—woven into her movement, her expression, and the way she represents carnival with purpose and pride. What began as an unexpected entry into modelling has evolved into a powerful form of cultural storytelling, fuelled by family support, ancestral inspiration, and a deep love for the liberation carnival brings.
Balancing life in the NHS with the fantasy, colour, and emotional power of carnival arts, Gia has crafted a lane that feels entirely her own. Whether she’s stepping into a frontline costume, embodying a character on set, or sharing her culture with colleagues who’ve never experienced carnival before, she moves with intention, grounding, and gratitude. This feature dives into the roots, challenges, triumphs, and vision of a woman reshaping what it means to be a carnival model in the UK creative landscape.
1. What heritage or cultural background do you represent, and how does it influence the way you show up in carnival and creative work?
I’m proudly Caribbean; Jamaican, Bajan and Guyanese and that heritage is woven into every part of who I am—my confidence, my boldness, and my creativity. When I show up in carnival or in my creative work, I’m representing a lineage of resilience, storytelling, and celebration. It influences how I move, how I express emotion, and the pride I take in bringing the culture to life visually.
2. What was your earliest memory of carnival or Caribbean culture growing up?
My earliest memory is being on my mums shoulders and seeing the the joy, the celebration, the colours, hearing the steel pans, smelling the jerk pans, and watching the adults around me transform when the music hit. As a child, I didn’t know the politics or history behind carnival I just knew it felt like freedom. That feeling never left me.
3. How does your family feel about your involvement in modelling and carnival arts?
They’re so proud. My mum comes to every launch to scream out my name like it’s my year 3 sports day! At first there was a bit of protective hesitation, but once they saw how passionate I was—and how much discipline and artistry goes into what I do—they became my biggest supporters.
4. Are there cultural traditions from home that you carry into your artistry today?
Yes – movement, storytelling, and respect for community. Carnival isn’t just a costume; it’s a narrative. I always bring that sense of purpose into my work.
5. How did you first step into modelling, and what inspired you to continue professionally?
I stepped into modelling almost accidentally— my friend Chloe (C-unique) encouraged me to model for one of her designs and I decided to give it a try. The confidence it gave me, the creativity it unlocked, and the opportunities to represent my culture kept me going.
6. Was there a defining moment or first shoot that made you think, “Yes, this is what I’m meant to do”?
My first carnival shoot. The energy on set, the empowerment I felt in costume, and the connection with the camera made everything click. I knew I had found something that I genuinely enjoyed and loved to do/be a part of.
7. Who or what were your earliest creative inspirations as a model?
Strong Caribbean women; my paternal grandmother was a pageant queen in the 60’s I still have newspaper clippings of her shows and remember how much that inspired me. Soca performers, carnival queens, and creatives who carried themselves with presence and pride. Their confidence taught me how to own my space and represent my culture with pride.
8. What skills have you had to develop specifically for carnival modeling versus traditional fashion modelling?
Carnival modelling requires stamina, movement and the ability to project energy, not just beauty. You’re not just wearing a costume, you’re embodying a character, a mood, a spirit. The ability to pose dynamically with large backpacks or intricate headpieces is definitely a skill on its own.
9. What does carnival mean to you personally beyond the feathers, gems, and the road?
For me Carnival is liberation—of identity, expression, and history. It’s a space where you can embody your strongest, freest self. Drown out all the noise from whatever may be happening around you and just be. Those two days are probably my happiest throughout the year.
10. How do you prepare mentally and physically for big carnival shoots or mas performances?
Physically, I go to the gym, train, stretch, and keep my energy levels high. Mentally, I get quiet. I focus on grounding myself because I want to show up fully present when I step in front of the camera or on the road. I also practice a lot of positive thinking and tell myself that I’ve got this whenever I step on stage (just to kick away any lingering anxiety or imposter syndrome).
11. What has been your most memorable or powerful carnival costume to date and why?
Most definitely Poison Dart Frog by WASSIVILLE, that was my first front line costume and It wasn’t just pretty; it carried a sense of strength and pride. Wearing it felt like channeling my inner Queen, I felt so confident, so beautiful and so powerful.
12. Are there any designers or mas bands who have significantly shaped your journey?
Yes—designers like Paul, Alfredo and Sophia and Faith who truly understand body diversity, movement, and cultural accuracy have influenced me the most. They create art that feels authentic rather than just aesthetic. From the moment I joined UCOM I felt so comfortable and a part of something so great, inclusive and welcoming. You can see this is mirrored across multiple mas bands, like Island mas, Carnival by Dujura, OPM and many more.
13. How would you describe your style as a model when it comes to portraying carnival characters or fantasy themes?
Expressive, bold, feminine and powerful. I like to transform, step into the fantasy fully and bring it to life with emotion and movement.
Giamilvno x Worlmag Interview website feature
14. What do you look for in a costume or creative direction before saying yes to a project?
Authenticity, creativity, respect for culture, and a team that values professionalism. I want to feel proud of what I represent.
15. Do you think carnival modelling is getting the recognition it deserves in the wider UK creative scene?
It’s growing, but it’s still undervalued. There’s a lot of talent here, but carnival arts needmore mainstream visibility and respect for sure.
16. How would you describe the current UK soca and carnival scene — strengths, challenges, and potential?
The UK scene is passionate and evolving. The strength lies in the community and creativity. The challenge is the lack of infrastructure and investment compared to other creative industries. But the potential? Huge.
17. What do you think the UK still needs in order to elevate carnival culture to its full potential?
More funding, more platforms, and more opportunities for Caribbean creatives to lead the narrative, not just participate in it.
18. Who in the UK soca/carnival space do you admire or see as pushing the culture forward and why?
I admire anyone who consistently shows up—DJs, designers, mas bands, models, and dancers—who invest their time and energy into building the culture with authenticity.
19. How do you balance authenticity and creativity when representing Caribbean culture in a UK setting?
By staying grounded in the roots while still embracing innovation. Carnival can evolve, but its foundation shouldn’t be watered down.
20. How do you feel the UK carnival energy compares to carnivals abroad?
Abroad, the energy is more immersive and deeply rooted. The UK has passion, but we’re still building the infrastructure and cultural depth that Caribbean carnivals naturally have.
21. With modelling, work, and everyday life, how do you manage balance and avoid burnout?
I prioritise rest and boundaries. When I’m off, I’m off. I’ve learned to protect my energy and not pour from an empty cup. My career can be quite stressful and challenging at times, working for the NHS it’s a huge contrast between my creative work but I always look forward to launch season, my colleagues can’t believe how I transform and I enjoy sharing the culture with them, especially those who have never been or heard of carnival and what it represents. It’s a blessing to be in scrubs and then be able to stand tall in my platform heels and big backpack striking a powerful pose.
22. What does your self-care routine look like before and after major shoots or carnival events?
Before: stretching, good nutrition, hydration, and grounding music. (A sip of rum)
After: skincare, deep rest, and moments of silence to decompress.
23. What are some personal challenges you’ve had to overcome in your creative or modelling life?
Learning to trust my vision, quiet the self-doubt (as that can be a real challenge) and understand that not every opportunity is meant for me. Growth requires discipline and self-belief. I’ve had to overcome issues with anxiety and depression which started in my early teens but I found the more that I show up and show out, the more I believed that this is where I’m meant to be and this is what I’m meant to be doing.
24. How do you stay grounded emotionally in such a visually demanding and high-pressure industry?
By remembering who I am outside the camera. My identity isn’t based on likes, costumes, or validation—it’s based on character.
25. What keeps you motivated during times when your energy or mental health feels low?
Purpose. Knowing that my work inspires women, represents my culture, and allows me to express myself creatively keeps me going. Even the people that are around when we are working, everyone is just amazing with checking in and making sure you’re okay, that you feel good and confident, there’s a real sense of belonging and care throughout.
26. What are your goals as a model over the next 1–3 years?
To build my profile internationally, collaborate with more carnival bands, and potentially expand into creative direction and brand partnerships.
27. Are there any dream collaborations, designers, or bands you hope to work with?
Yes—some of the International Caribbean mas bands and UK designers that really push boundaries with costume innovation and movement-focused design.
28. How do you see your role evolving in the carnival community as your profile grows?
I want to be more than a model. I want to uplift other creatives, mentor upcoming models, and help shape the future of the culture.
29. Are you exploring other creative lanes outside modelling — such as styling, creative direction, wellness, or entrepreneurship?
Definitely. I’m exploring creative direction and wellness content, especially for women working in high-pressure industries.
30. If you could send a message to young women who want to join the carnival modelling
world, what would you tell them?
Own your power, protect your boundaries, and lead with authenticity. Carnival is about freedom—so don’t shrink yourself. Step boldly into your space and be proud!
Contact/Socials – @giamilvno
Gia’s journey is more than feathers and camera flashes—it’s a testament to resilience, identity, and the transformative power of culture. Her story reflects the heart of Caribbean creativity while highlighting the possibilities that open when you lead with authenticity and purpose. As she continues to rise, building her profile internationally and exploring new creative lanes, one thing remains certain: Gia is not just modelling carnival—she is living it, preserving it, and pushing it forward.
Her message to young women is the same message she lives by: stand tall, own your space, and honour your roots. The UK carnival scene is evolving, and voices like hers are shaping its future. And from the frontline to the festival road, Gia is proving that Caribbean women are rewriting the narrative—boldly, beautifully, and unapologetically.
Love Revelation Riddim: A Powerful Fusion of Reggae Legends and Modern Voices
The Love Revelation Riddim stands as a rich and soulful addition to the reggae and dancehall landscape, bringing together some of Jamaica’s most respected voices across generations. Rooted in themes of love, reflection, and emotional truth, the riddim delivers a timeless sound while remaining firmly connected to today’s musical energy.
Featuring Jah Vinci, Wayne Wonder, Xyclone, I-Octane, and Flexx (TOK), the Love Revelation Riddim is a celebration of Caribbean artistry, lyrical depth, and cultural continuity.
Jah Vinci – Modern Emotion with a Classic Touch
Jah Vinci opens the riddim with heartfelt delivery and smooth melodies, blending contemporary dancehall style with introspective lyricism. His contribution captures the emotional core of the Love Revelation Riddim, speaking directly to love, growth, and personal awareness.
Wayne Wonder – Timeless Reggae Excellence
A true reggae icon, Wayne Wonder brings unmatched vocal control and romantic storytelling to the riddim. His presence adds depth and prestige, reminding listeners why his voice continues to resonate across generations and international audiences.
Xyclone – Conscious Lyrics and Resilient Spirit
Xyclone delivers a thoughtful and grounded performance, injecting the riddim with conscious energy and lived experience. Known for his journey and lyrical honesty, his contribution reinforces reggae’s role as a voice for reflection, perseverance, and truth.
I-Octane – Passion, Power, and Purpose
I-Octane’s signature intensity shines through on the Love Revelation Riddim. With powerful vocals and uplifting messages, he balances passion and positivity, offering a track that inspires strength, love, and self-belief.
Flexx (TOK) – Dancehall Veteran with Enduring Flair
Representing legendary dancehall group TOK, Flexx brings veteran confidence and rhythmic charm. His contribution adds contrast and versatility to the riddim, grounding the project in authentic dancehall roots while keeping the energy vibrant.
A Riddim Rooted in Love and Revelation
The Love Revelation Riddim is more than a compilation—it’s a musical statement that honours reggae’s emotional depth and dancehall’s dynamic spirit. By uniting legendary artists with modern voices, the project showcases the strength and adaptability of Caribbean music.
This riddim serves as a reminder that love, truth, and conscious expression remain at the heart of reggae’s global appeal.
Worlmag salutes the artists and creatives behind a project that truly reflects the heart of Caribbean music.
Last Thursday night, Saint Lucia took the spotlight in the UK’s financial capital. The temperature in London Blackfriars peaked in a warm November, on the 12th Knot Rooftop of Sea Containers. The theme was business chic, as the Saint Lucia Tourism Authority (SLTA) brought together creatives, global stars, travel industry professionals, cultural educators, and patrons of Saint Lucia to mix and mingle over conversation, wine, hors d’oeuvres, and cocktails.
Why, you might ask? In just six months, the Saint Lucia Jazz & Arts Festival will draw patrons to the island, where the arts will welcome visitors to pour into Saint Lucia’s economy — and the hearts of its communities.
And why London? Following London’s World Travel Market, what better place to announce the inclusion of one of the UK’s most celebrated and enduring musical performers — Beverley Knight, MBE. The MOBO and Olivier Award-winning artist attended the evening and expressed her excitement for her forthcoming performance at the Saint Lucia Jazz & Arts Festival 2026. Knight’s inclusion was announced alongside that of Grammy Award-winning Nigerian singer Tems and Saint Lucia’s own musical icon, Ronald “Boo” Hinkson.
Also present on the night was Saint Lucia’s Olympic champion and Tourism Ambassador, Julien Alfred, whose warm charisma and pure spirit mirror those of so many Saint Lucians. The island’s people truly are its greatest asset. Saint Lucian entrepreneurs and creatives of the diaspora were in attendance, including Laura Henry-Allain, MBE, Tanya Edwards, Annaliese Dayes, and Curmiah Lisette.
With the SLTA aiming to further promote community tourism and Saint Lucia’s creative industries, there is hope that momentum will continue to build — honouring grassroots initiatives that provide lasting development for local artisans and foundational cultural education for Saint Lucia’s people. Tourism, especially during times of global tension, requires earnest storytelling, a nation of people who know their roots and their power, and perspectives that nurture connection. After all, the travellers Saint Lucia seeks to attract for community tourism to flourish are those who wish to learn and honour culture — not those vulturous of it. Those who come for her story, to find or see themselves in it; to understand our unique yet shared history; or to embrace our difference, found in our Kwéyòl identity.
Hosted by Jazz FM’s Tony Minvielle, the evening featured speeches from SLTA Chairman Thaddeus Antoine and CEO Louis Lewis, who hinted at the island’s growing reputation as a wellness destination, alongside its already striking allure for romance, adventure, the arts, and its vibrant Kwéyòl culture.
Together with SLTA’s Director of Global Marketing, Dexter Percil, Alfred selected a lucky winner for SLTA’s raffle — two tickets to Saint Lucia via British Airways from London Gatwick, with on-island transfers, five nights at The BodyHoliday, and even a stop for local bread along the Micoud Highway in Thomazo.
Boo Hinkson and Christa Bailey wound down the night with smooth and sultry jazz renditions and up-tempo sounds of the Caribbean that drew the crowd front-stage in gentle waves of two-step and singalong, fostering genuine connections on this night of networking.
The Saint Lucia Jazz & Arts Festival 2026 will run from April 30th to May 10th. Tickets go on sale in January 2026, with more stars yet to be announced for its celebrated themed nights — Opening Night, Kingdom Night, Pure Jazz, World Beats, Caribbean Fusion, and The Ultimate Celebration, as well as its dynamic Arts & the City programme.
In Our Sight: Skip Marley Channels Unity, Roots, and Hope in a Time of Division
When inspiration strikes, there’s no denying its power. For Skip Marley, that spark came the moment he stepped into the studio and connected with a riddim that felt like home. Drawing from the timeless energy of classic reggae — from “Love and Happiness” to “Satta Massagana” — he crafted a song that speaks to the struggles and spirit of today. With guidance from Jah and production magic by Supa Dups, In Our Sight stands as a reminder that strength, unity, and hope can still rise through the noise. This is roots reggae, bold, conscious, and spiritually charged.
1. What was the initial spark or idea behind the song—what inspired you to write it?
I walked into the studio one day and instantly connected with the riddim — it reminded me of the reggae I grew up listening to. From that moment I knew I wanted to write something that reflects our time — where people need to feel strength, unity, and hope. The world is facing so much storm and division, but if we stand together, side by side, victory is within our sight. All things are possible when we uplift each other and keep believing that the time is now- because if not now then when
2. How did the lyrical concept evolve from first draft to final version?
Well I feel the song was what it was from the beginning. I got the inspiration- JAH send me a message to put out there so we just follow that all the way through.
3. Did any personal experiences or emotions fuel the songwriting process?
Like I said, the reality of the situation is people a bomb people ,and people just a watch and feel like they can’t make the change. Well I feel we have to be the change. Is we must change the times.
4. How did you choose the musical style or production sound for the track?
Well Supa dups had a batch of riddims, and from the “love and happiness” to the “satta massagana” to the Dennis Brown samples play it did grab my ears immediately. It had the feel, the guitar hit me right away. I could feel the rhythm of the old days but speaking to today. Working with Supa Dups, we dialed in sounds that reference classic reggae but kept the production crisp for 2025. I wanted the listener to feel the roots, hear the generation before, and still feel like this is our time. The sound had to match the message: strength, unity, victory in our sight.”
5. Were there any songs, artists or genres that influenced you while making this record?
Just reggae music itself, you know. Reggae is the peoples music; the voice of the sufferer, the ones before that paved the way. The food for the spirit.
6. What was the recording process like—was it smooth sailing or did you face unexpected challenges?
It was smooth sailing. We just feel the music and follow through with the spirit of it, and the words flowed.
7. What was your favourite moment or memory in the studio while making this song?
Several moments- when I first heard the riddim, and when I heard it after the chorus idea- it just did have the right feel. The moment we finished, and I knew we kept true to that same vibe all the way through. I just felt that we did a good job.
8. How did you approach the concept for the video—who came up with the idea, and how did you collaborate on it?
We wanted to show the reality of the situation. The consequences of those who continue to act for self instead of for the people. We show what is against us, that we need to band together. We need to be one against the injustice, against the downpressors. Big up Ruption and the team because they helped bring it to life. Couldn’t do it without the crew.
9. What were the most fun (or funniest) moments during filming the video?
Playing chess versus myself. I really liked that concept. I feel like it captured the vibe of the tune.
10. Were there any moments in the video shoot that surprised you or forced you to improvise?
When we were shooting on the roof the timing was perfect. We caught the setting sun on the horizon as we were capturing the last parts of the video, and the view of the landscape tied it all together.
11. How do you feel now hearing the final song and video side by side—did anything turn out differently than you imagined?
Well, I feel good about how it turned out. I am more interested in hearing what the people feel when they get it.
12. When you perform this song live for the first time, what kind of reaction are you hoping to get from the crowd?
The first time I played it there was a great reaction from the people. An energy surged through the place, and the spirit was all around.
13. Do you imagine a specific moment in the show when this track will shine, and how do you expect the audience to respond?
Skip Marley in our sight
I expect them to dance and enjoy the show. At the same time, we really want them to get the message, take it with them into their own lives and live up.
14. How important is it for you to connect with the audience emotionally (or physically) through this song—what do you hope people take away?
The reality of the power of unity, the power of our voice, the power of how is wemake the world go round, not the other way round.
15. What’s next for you with this release—are there remixes, alternate versions, or video-concepts you still want to explore?
Lots of possibilities- might drop a remix, or maybe go acoustic. I have a next video coming that might be a “part 2”- just have to stay tuned and see! Bless.
From playing chess with himself in the music video to capturing a perfect sunset on the rooftop, Skip brings the message full circle — reflection, resilience, and renewal. As he prepares to perform the song live, he’s less focused on the applause and more on the awakening it might spark in listeners. “It’s about unity,” he says. “It’s about knowing that the time is now — because if not now, then when?”
