The process of getting a movie off of the ground is a lengthy endeavor, with casting standing out as one of the essential elements of the process. Simon Doe has his tongue planted in his cheek as he describes the fictional skills of his advancing agent.Praesent iaculis, purus ac vehicula mattis, arcu lorem blandit nisl, non laoreet dui mi eget elit. Donec porttitor ex vel augue maximus luctus. Vivamus finibus nibh eu nunc volutpat suscipit. Nam vulputate libero quis nisi euismod rhoncus. Sed eu euismod felis. Aenean ullamcorper dapibus odio ac tempor. Aliquam iaculis, quam vitae imperdiet consectetur, mi ante semper metus, ac efficitur nisi justo ut eros. Maecenas suscipit turpis fermentum elementum scelerisque.
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“Simon Doe has his tongue planted in his cheek as he describes the
fictional skills of his advancing agent.”Steve Kowalsky
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[youtube https://www.youtube.com/watch?v=bPh0kfMRIFA]
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Dancehall Watchlist 2026: The New Wave Taking Over
Dancehall is entering a new era — one driven by digital influence, global fusion, and a new generation of artistes who understand how to turn street buzz into worldwide momentum. From Kingston’s gritty corners to the wider Caribbean diaspora, young talents are reshaping the sound and energy of the genre.
Worlmag highlights 10 dancehall artistes to watch in 2026, each poised for major breakthroughs as the genre continues its global expansion.
Skippa
Skippa Dancehall Watchlist 2026: The New Wave Taking Over
Skippa has cemented himself as one of dancehall’s most reliable breakout forces. With street-certified anthems like WYFL, 10 Past 2, and Currency, he consistently dominates both streaming platforms and party circuits. His traphall‑infused sound and melodic hooks give him strong crossover potential heading into 2026.
Tielo Lanez
Tielo Lanez Dancehall Watchlist 2026: The New Wave Taking Over
Tielo Lanez is a standout product of the viral‑to‑street pipeline. Tracks such as Thickiana, Selah, and Shootah Dem have helped him build a distinctive brand that mixes raw street energy with charismatic flair. With strong producer support and a rapidly growing fanbase, he’s positioned for major visibility next year.
Ayetian
Ayetian Dancehall Watchlist 2026: The New Wave Taking Over
Ayetian continues to separate himself with a unique sonic identity and global appeal. His catalogue spans party hits, melodic records, and international collaborations, giving him a versatile edge. With rising visibility across major markets, Ayetian is one of the most promising crossover-ready artistes for 2026.
Nhance
Nhance Dancehall Watchlist 2026: The New Wave Taking Over
Nhance has been steadily earning respect with gritty storytelling and authentic street narratives. His raw delivery resonates with core dancehall listeners, and his consistency is beginning to pay off. With more collaborations and placements on major riddims, Nhance is primed for a breakout year.
Suspense
Suspense Dancehall Watchlist 2026: The New Wave Taking Over
Suspense is making a powerful return to the dancehall scene. After time away, she has re-emerged with renewed focus and determination, carving out space in a male-dominated industry. Her comeback has sparked industry interest, positioning her as a standout female voice to watch in 2026.
Kkrytical
Kkrytical Dancehall Watchlist 2026: The New Wave Taking Over
Based in the U.S. but deeply rooted in Jamaican culture, Kkrytical represents the new wave of diaspora artistes influencing the core dancehall market. His viral tracks, high-energy performances, and strong collaborations have built significant momentum. 2026 could easily be his biggest year yet.
Armanii
Armanii Dancehall Watchlist 2026: The New Wave Taking Over
Armanii has quickly become one of the most talked-about names in modern dancehall. With charting singles, major collaborations, and a steady stream of releases, he has proven himself a reliable hitmaker. His influence continues to grow both locally and internationally, making him a major contender for 2026 dominance.
Skeete
Skeete Dancehall Watchlist 2026: The New Wave Taking Over
Skeete is rising steadily within the new-generation dancehall movement. His blend of street authenticity and modern production has earned him placements on key playlists and mixes. While still underrated, Skeete is a strong sleeper pick for a breakout moment in 2026.
Jamal
Jamal Dancehall Watchlist 2026: The New Wave Taking Over
Jamal has emerged as one of the most exciting young voices in the genre. With streaming favourites like 999 and Girls Are Drugs, he has built a reputation for emotional street anthems and catchy hooks. His consistency and growing fanbase suggest that 2026 could be a defining year.
Malie Donn
Malie Donn Dancehall Watchlist 2026: The New Wave Taking Over
Malie Donn remains a fixture on modern dancehall playlists. Known for party-ready hits and viral collaborations, he has mastered the formula for digital traction. With rising international recognition, Malie Donn is well-positioned to elevate his brand even further in 2026.
Why These Artistes Matter in 2026
This new wave of artistes represents the evolution of dancehall — a fusion of street culture, digital influence, and global ambition. As Caribbean music continues to attract international attention, these rising stars are shaping the genre’s next chapter.
Worlmag will be tracking their journey closely, from new releases and live performances to global collaborations and international breakthroughs.
City Splash celebrates the impact of Caribbean and African culture in the UK and beyond. The festival, situated in Brockwell Park, London, creates a space for the community to pay homage to pioneering sounds that raised generations and has become the largest one-day Caribbean and African music festival globally, as well as the biggest independent one day festival in London. Today, they announce an incredible second wave of artists for their 2026 lineup, including dancehall icon Aidonia.
Known as the voice of modern dancehall, Aidonia returns to London this May to celebrate two decades of hits, culture, and energy. Aidonia has cemented his place as one of Jamaica’s most electrifying performers, best known for his singles “Yeah Yeah”, “Bruck It”, “Fire Ball” and “Pretty Please”. This global dancehall icon will be taking the stage at City Splash 2026.
Also new to the roster is a true dancehall superstar, Elephant Man (aka Energy God). Growing up in the Seaview Gardens area of Kingston, Jamaica, Elephant Man was exposed to dancehall culture at an early age. His musical career began with the formation of Scare Dem Crew, where he honed his on-stage persona through performances at various Jamaican festivals. After leaving Scare Dem Crew, Elephant Man launched a successful solo career, blending dancehall with hip-hop influences. His second album, Log On, gained significant attention, leading to collaborations with artists like Busta Rhymes and Mariah Carey. Catch the Energy God at City Splash 2026.
Joining them on the lineup are The Queens of Lover’s Rock, Janet Kay and Carroll Thompson, and the pioneer of the Afro Sexy Afro Future sound,. Plus, Luton-born and raised rapper BXKS, Ciel, known for fusing rap and dancehall, British singer and songwriter Donae’o, unique R&B artist Eric IV, soca musician V’Ghn, the UK’s hottest duo DJ Nate & English Fire, selectors Movie Star Johnny & Andrew Fresh, Brixton-based reggae band Abacush, legendary tastemaker Bryan Gee, official DJ of Kalash Criminel Daddy Chulo, world-class DJ Mexy,powerful reggae artist Empress Ayeola, founder of ‘Girls Can’t DJ Jordss, Smirnoff Back to the Beach winner Kryptic, Nubian Idol, soulful singer Sherii Ven Dyer, London-based artist Sinister Escapone, long-running and influential soundsystem Sovereign Syndicate and Jamaican reggae artist Unstoppable Fyah.
Join City Splash, the home of culture, as it transforms Brockwell Park into a celebration of Caribbean and African music and culture like no other.
Full Line Up:
Beres Hammond
Aidonia, Elephant Man, Gyptian,
Jada Kingdom, Queen Ifrica, The Congos, Lutan Fyah,
Jeleel!, Juls, Janet Kay & Carroll Thompson
BXKS, Ciel, Cristale, Donae’o, Eric IV, V’ghn, Wohdee,
Lisa Maffia, Romeo & Dandaman (So Solid Crew)
Bryan Gee, Channel One, Dankie Sounds, DJ Ace, DJ Larni, DJ Nate & English Fire, Heartless Crew, Izzy Bossy, King Original ft Footsie x Sir Spyro x Jah Model x Ras D, Loyal Squad, Movie Star Johnny & Andrew Fresh, Nicky Slimting, Pioneer, Supa D, Coldsteps & Terminal 4, Pure Vibes Ent, Rampage Sound, Ras Kwame, Robbo Ranx, Saxon Sound, Seani B, Sir DJ Corey
Abakush Band, Blacker Dread, Bobo Blackstar, Daddy Child, DJ Mexy, Empress Ayeola, Jada Pink, Jah Youth Roots Ambassador, Jordss, Kryptic, Nubian Idol, Jahrevelationmuzik Sound, Sherii Ven Deyer, Sinister Eskapone, Sisters In Dub, Sovereign Syndicate, Triple M, Unstoppable Fyah, Vybz-SR
Worlmag website Main image Saint Lucia Jazz Review
The Saint Lucia Jazz & Arts Festival officially launched its 2026 edition with a polished and interactive media event at the Sandals Grande on January 22, setting the tone for what organizers are positioning as one of the island’s most ambitious cultural showcases in recent years.
Led by key industry figures including Thaddeus Antoine, Chairman of the Saint Lucia Jazz & Arts Festival, and Louis Lewis, CEO of the Saint Lucia Tourism Authority, the launch placed strong emphasis on culture, creativity, and national identity — reinforcing the festival’s broader mission beyond music alone.
Also in attendance were cultural and entertainment personalities such as Emerle Tission, National Carnival Queen 2025, influencer Timeka Marshall of Guyana, and creative industry figures including Certified Samson, highlighting the festival’s regional and diaspora reach.
According to both Worlmag insiders and public reports, the launch successfully highlighted the festival’s expanded focus on arts, culture, and community, reinforcing Saint Lucia’s intent to go beyond music and present a fully immersive creative experience.
High Marks for Production, Arts Integration & Sponsor Support
Worlmag insiders praised the overall execution and venue setup, noting that the incorporation of multiple art forms was both engaging and thoughtfully curated.
“The execution and incorporation of all the arts that are gonna be showcased for the duration of the festival was really delightful. It was interactive and well thought out — both the performances and the venue setup.”
The presence and visibility of local and international sponsors also stood out, with insiders highlighting what appeared to be a stronger financial commitment to the creative industries this year.
“The various sponsors and their input and how they planned to support the arts was also nice to see. We have a lot of local sponsors this year and the budget seems to be hefty.”
CEO Message: Culture Over Popularity
As the main speaker of the evening, Louis Lewis, CEO of the Saint Lucia Tourism Authority, addressed the strategic vision behind the 2026 programming, emphasizing cultural authenticity over mainstream appeal.
“We were not simply building a lineup for the sake of popularity. We are building a lineup that reflects the soul of our destination, one that blends seamlessly with the undeniable persona of Saint Lucia — our creativity, our rhythm, our elegance, and the depth of our culture,” said Lewis.”
This statement reinforced the festival’s positioning as a platform for both global and local culture, placing Saint Lucia’s creative identity at the centre of the 2026 experience.
It aligns with official messaging from the Saint Lucia Tourism Authority, which has emphasized increased investment, expanded programming, and stronger industry partnerships for the 2026 edition.
Featured Performances Set the Tone
The media launch also featured a series of live showcase performances that demonstrated the festival’s musical and artistic range, Performers included TC Brown, Camille Charlemagne with Shomari Maxwell, Kenson Hippolyte, and Teddyson John. These performances helped bring the festival’s multi-genre and culture-forward vision to life, offering attendees a preview of the creative direction for the upcoming festival.
“Art and the City” Emerges as a Major Highlight
One of the most positively received initiatives at the launch was Art and the City, which will transform parts of Castries into a creative hub featuring visual art, performances, and cultural activations.
“The Art and the City initiative is something I am absolutely excited for — that’s something I think all Saint Lucians should make an attempt to attend.”
The initiative continues the festival’s push toward community-based and culturally grounded experiences, extending the festival’s impact beyond traditional main-stage concerts.
Line-Up Draws Mixed Reactions
While production and programming earned praise, the artist line-up sparked notable debate among attendees and industry insiders.
Worlmag feedback suggests that while there are standout names, the overall curation — particularly for opening and Friday night programming — feels inconsistent.
“The line-up could have been a little more diverse for Friday’s show. I think the organizers could have also put more emphasis on opening nights line-up as well .”
Another insider echoed the sentiment, pointing to a small cluster of artists generating the most excitement:
“Billy Ocean, Dexta and Tems seem to be the artists people are looking forward to.”
Public reports confirm that Tems remains one of the most anticipated headliners, alongside veteran UK soul icon Beverley Knight, as part of a genre-spanning bill that includes Afrobeats, R&B, Caribbean rhythms, and jazz.
However, Worlmag insiders noted that — compared to last year — the current roster lacks multiple standout “must-see” moments, with many attendees expressing that 2025’s line-up felt stronger overall.
The Saint Lucia Jazz & Arts Festival 2026 Artist lineup and dates
Overall Verdict: A Successful Launch, But Programming Questions Remain
From a production, branding, and arts integration standpoint, the Saint Lucia Jazz & Arts Festival 2026 media launch was widely viewed as a success. The event effectively showcased the festival’s broader cultural vision, increased sponsor engagement, and commitment to community-focused initiatives.
However, the line-up remains the biggest talking point, with both insiders and attendees calling for greater diversity, stronger balance across nights, and more headline depth beyond a few key artists.
Worlmag Takeaway:
The foundation is strong, the arts vision is exciting, and initiatives like Art and the City signal real growth. But for many festival-goers, the ultimate success of Jazz 2026 may depend on whether the full programming delivers enough standout moments to match the high production and cultural ambition on display at the launch.
Xyclone From Waterford to Billboard — The Rise of Dancehall’s Independent “Billboard Kid”
Born and raised in Waterford, St. Catherine, Xyclone’s journey is rooted in everyday Portmore life — school, sports, discipline, and raw talent recognised long before fame. A standout student at Waterford Primary and Bridgeport High School, excelling in both track and field and education, music initially lived on the classroom desk as rhythm and instinct. Encouraged by classmates who saw his potential early, what began as a hobby slowly transformed into a calling.
Today, Xyclone stands as one of dancehall’s most consistent independent success stories. From breaking Billboard history as the first independent dancehall artist to hit #1 from the U.S., to earning the title “The Billboard Kid,” his rise has been fuelled by fan connection, relentless work, and patience learned under the mentorship of Spragga Benz at Red Square. In this Worlmag exclusive, Xyclone reflects on his rise, his mindset, his chart dominance, and his mission to find the one song that will define his next chapter.
Can you take us to the start, to Waterford, St. Catherine — what was life like growing up there, and how did it shape the artist you became?
As a Portmore yute that went to Waterford primary and Bridgeport high school life was like any regular teenager. Excellent in track and field and education. But my classmates at Bridgeport told me I was talented and I should do music officially. Fast forward to the present, here I am
What first inspired you to step into music instead of pursuing a more traditional career path, like finance, which you studied?
I always use to beat pon desk at school and my classmates said I should take it seriously. So thoughout the years I did it as a hobby until I started to gain real traction and success
You came up through Red Square camp and Spragga Benz’s mentorship — what are the biggest lessons you took from that experience?
Being aligned with a great like Spragga you learn patience. Nuttin nuh happen before the time and live the situation your delt.
Your album From the Basement to the Big Leagues hit #1 on Billboard — what did that moment mean to you as an independent artist?
I broke history, first independent dancehall artist releasing music from America to go number 1. It’s never been done before and it hasn’t been done since, history deh pon mi name
What do you think separates your sound or strategy from other dancehall artists who haven’t reached Billboard success?
I make music that’s appealing . That your child, grandma and parents can listen to. Yes I have the slack songs too but my music is listener friendly
How did you manage to build and sustain your fan base across Jamaica, the U.S., and beyond without a major label push?
I became populate keeping dancehall parties. Built up a huge fan base and in return that fan base supported my artist career
You’re known as the “Billboard Kid,” with multiple charting projects — which project felt like your biggest artistic evolution and why?
The year of the wolves was my biggest. I streamed millions has songs like meck it clap remix featuring konshens produced by Epik jones and it’s you that I need which was playlists on hot 97 in NYC produceed by Bobby Konders
Flawless Victory knocked Bob Marley’s Legend off the iTunes Reggae chart — how did that feel, given Marley’s legendary status?
All my albums knock Bob off the top spot lol I have 10 straight number 1 albums on iTunes …. But it’s always for a few days. Bob is the greatest to have ever done this out of Jamaica but it’s always nice to rub shoulders with the greats
How do you balance making music for the charts versus creating from pure inspiration or message?
I don’t make music to chart. I release my stuff promote and people support. I’m grateful for my fanbase. A dem keep mi charting.
You’ve consistently blended reggae, dancehall, and international sounds — how intentional is that fusion?
My music represents what I’m exposed to. I’m exposed to music from Jamaica America Uk South America Africa etc. I always try to please everyone with my work
As an independent artist, what’s been your hardest lesson or lowest moment in the business?
Lowest hmmmm mi nuh really pree lowest. Mi just continue work?
You’ve spoken about limited recognition in Jamaica compared to overseas — why do you think that’s the case, and how do you feel about it?
I don’t live in Jamaica, so I always have to work 10 times harder to Break that barrier
What mindset keeps you pushing forward when the industry seems to move on quickly?
I LOVE MUSIC, though I’m successful in my own right I do it for the love. Sink or swim
What’s next for Xyclone — musically, personally, and entrepreneurially?
Next step is to find ONE of those songs. The one that’s gonna change my life forever . All it takes is ONE! I just dropped gasolina featuring tifa . Produced by Bobby Konders of Massive B. I really think this is the one
What legacy do you hope to leave behind for the next generation of dancehall and reggae artists?
IM THE BILLBOARD KID. The legacy already set.
Xyclone’s story isn’t built on industry shortcuts or overnight hype — it’s built on consistency, fan loyalty, and belief in the process. From keeping dancehall parties and building a grassroots following, to charting album after album without chasing numbers, his journey proves that independence can still rewrite the rules.
With ten iTunes number-one albums, Billboard history in his name, and a deep love for music that keeps him moving regardless of obstacles, Xyclone isn’t waiting for validation — he’s already secured his place. As he continues the search for that one life-changing song, one thing remains undeniable: the Billboard Kid legacy is already written — and the story is far from over.
Follow Worlmag for more exclusive interviews, dancehall and reggae features, and Caribbean culture stories worldwide.
J Alexia Bankx (Jenelle Alexia): How the Jamaican-American Founder of A’Legends Is Building Legacy Through Fashion, Culture & Community
Rooted in Jamaican heritage and shaped by resilience, J Alexia Bankx—also known as Jenelle Alexia—embodies a new generation of purpose-driven entrepreneurs. The Jamaican-American founder and CEO of A’Legends, she has transformed personal loss, motherhood, and cultural identity into a global lifestyle brand centred on strength, victory, and impact.
Raised between entrepreneurial influence and creative expression, J Alexia’s journey began long before A’Legends launched in 2018. From traveling on Air Jamaica as a child to witnessing community leadership through her parents, her upbringing laid the foundation for a brand that speaks to real stories and lived experiences. Today, A’Legends stands at the intersection of fashion, storytelling, music, and philanthropy, resonating with audiences across the diaspora and beyond.
In this exclusive Worlmag feature, J Alexia Bankx opens up about legacy, loss, cultural pride, and what it truly means to build something bigger than yourself.
How do your Jamaican-American roots shape who you are today, both personally and creatively?
Being brought up in a Jamaican household shaped everything about me. I was traveling on Air Jamaica from as early as I can remember. I was my dad’s last daughter and my mom’s only child, which meant I grew up as both a boss child and a hot girl daughter. When I traveled to Jamaica to visit my dad, he would tell the entire community I was coming. By the time I arrived, everyone already knew. He would paint the house, set up photo shoots, and celebrate my presence.
My father always told me I was his star and that I was going to be famous. He was also a top-tier businessman. He owned sports bars, supermarkets, did car rentals, and paralegal work. He was well known, respected, and both street smart and book smart. That’s where my business mind comes from.
My mom was street smart and fashionable. If she was in the latest designer or style, so was I. Between the two of them, I truly had the best of all worlds. Creativity, confidence, hustle, and discernment. I always say I’m not a bad product of my environment at all.
Was there a defining moment in your life when you realised you were meant to build something bigger than yourself?
When my father was murdered in Jamaica, I was in school pursuing my bachelor’s degree in health administration. I went back for his funeral and lost my scholarship, which forced me to change my major and earn an associate degree in business. At the time, I had no idea what I would do with it.
Four years later, while working at a major hospital in Philadelphia, I was terminated while pregnant. I had to figure life out fast. While thinking of names for my son, I wanted to honor my dad but still be unique. One day, while drawing clothing designs, the name A’Legends came to me. I knew instantly it wasn’t just a brand, it was also my son’s name. From that moment on, I knew I was building something bigger than myself. If I fail my business, I fail my son, and I refuse to do that.
How has your personal life journey influenced the messages of resilience and victory behind A’Legends?
A’Legends is not just a brand, it’s who we are in our weakest moments. It’s a lifestyle and a reminder that we can endure whatever life throws at us and still be victorious. Every hardship I’ve experienced lives inside the message of the brand.
What lessons from your upbringing still guide your decisions as a woman, mother, and CEO?
Giving, integrity, and resilience. I watched my mom send barrels to help her family and my dad feed families in the community of Kencot and beyond. Even when people didn’t appreciate it, my parents still gave, sometimes their last. That spirit guides how I live, lead, and parent.
How do you balance staying authentic to your roots while operating in a global, commercial space?
I don’t separate the two. My roots are my foundation. Authenticity is what allows the brand to resonate globally.
What inspired you to launch A’Legends in 2018, and what gap did you feel the brand needed to fill?
A’Legends was born out of survival, motherhood, and legacy. I didn’t see enough brands speaking to real people, real struggles, and real victories. I wanted to fill that gap with something meaningful.
Why was it important for A’Legends to be a lifestyle movement rather than just a clothing line?
Because A’Legends is who we are. It’s a mindset. It’s about being remembered for something meaningful, not just what you wear.
What were some of the biggest challenges you faced building A’Legends as a woman entrepreneur?
I faced a lot of resistance, especially in Philadelphia. The pushback was heavy, but I’m thankful for it. If they hadn’t fought me the way they did, I would’ve stayed comfortable and local. That fight forced me to expand, and now A’Legends is known internationally.
How has motherhood shaped your leadership style and approach to business?
Motherhood made everything intentional. Every decision I make is about protection, stability, and legacy. My son is my why.
What does “being a legend” truly mean to you?
Being a legend means leaving impact, not just income. It’s about endurance, integrity, and legacy.
How do you translate life experiences and emotions into wearable pieces?
Through message-driven designs that reflect survival, confidence, and victory.
Why do you believe fashion is such a powerful tool for storytelling and empowerment?
Because what you wear speaks before you do. Fashion can remind someone who they are in their weakest moments.
How do you want people to feel when they wear A’Legends?
Empowered. Seen. Victorious.
In what ways does culture influence your designs and creative direction?
Culture influences everything. From colors to messaging, my Jamaican-American upbringing is woven into every detail.
Do you see A’Legends as fashion, art, or activism—or all three?
All three. It’s fashion with purpose, art with meaning, and activism through action.
You’re also an author, actress, and expanding into music—how do these creative worlds connect?
They’re all storytelling platforms. Each one allows me to express different layers of my truth.
What drew you toward music production and projects like the Bankx Riddim?
Music is cultural and ancestral. It’s another way to tell stories and bring people together.
How important is it for creatives today to diversify beyond one lane?
It’s essential. We’re multidimensional and shouldn’t be boxed in. I love knowing I created my own lane initially but now I have my own highway I can switch into any avenue and my success in all has been stamped.
Do you see yourself more as a creative entrepreneur or a cultural curator?
A cultural curator with an entrepreneurial mindset.
Which creative medium allows you to express yourself most freely and why?
Writing. It’s raw, honest, and natural for me.
What inspired the creation of the A’Legends Helping Hands Foundation?
I grew up watching my parents give back consistently. Service was modeled for me long before I created a foundation.
Why is giving back such a core pillar of your brand philosophy?
I know I wasn’t blessed to keep everything for myself. Giving back is part of my purpose.
How do community initiatives like feeding programs shape your sense of purpose?
They remind me why I started. Purpose is found in service.
What responsibility do you believe successful creatives have toward their communities?
To uplift, reinvest, and create opportunities for others.
How do you ensure your philanthropic work remains authentic and impactful?
I help from a genuine space without expecting anything in return. I often help and forget because it’s not transactional, it’s intentional. My son is seven now, and he already wants to feed the homeless and give away his things, which lets me know the legacy is working.
What does recognition and awards mean to you at this stage of your journey?
Although my business isn’t making millions yet, my success is led by impact. A’Legends has been received internationally. I’ve shown at New York Fashion Week, toured schools in the U.S. and Jamaica with my books, charted on iTunes with the Bankx Riddim, fed the homeless, organized Hurricane Melissa relief for Jamaica, received proclamations from a New York State Senator, and earned the Diaspora Excellence Award from Rediscover Africa. The work is being acknowledged, and no one can take that away from me.
When my son sees people wearing A’Legends now he’s excited and knows it’s his that his mommy built that.
How do you define success beyond financial achievements?
Success is knowing the good I’ve planted will follow me and my son into the future.
What legacy do you hope A’Legends leaves behind for future generations?
That impact comes before income and that purpose driven brands can change lives globally.
What’s next for J Alexia Bankx and the A’Legends brand globally?
Continued global expansion across fashion, music, publishing, philanthropy, and cultural education. I’ve recently started building the children’s app so that will take some time but I’m definitely excited for the completion of that.
If you could speak directly to women building their dreams against all odds, what would you tell them?
Don’t wait for permission. Keep building even when it’s hard. Do not wait for others to clap for you. Your story is your power, and your legacy is worth it.
For J Alexia Bankx, sucess has never been measured by income alone, but by impact, integrity, and the lives touched along the way. Through A’Legends, she continues to challenge conventional fashion narratives—placing purpose before profit and community before applause.
As the brand expands globally across fashion, music, publishing, philanthropy, and cultural education, her mission remains unwavering: to uplift, empower, and leave a legacy rooted in service and resilience. A’Legends is not just what you wear—it’s who you become when you refuse to give up, and J Alexia Bankx is living proof that purpose-driven brands can change lives across generations.
Pahjo: From Georgetown Roots to Global Soca Stages — Purpose, Passion & Identity
Born and raised in Georgetown, Guyana, and now rooted in the UK, Pahjo is an artist whose journey into soca is powered by purpose, patience, and lived experience. Known in his family as the “soca mad man,” music was always in his DNA — but life, responsibility, and survival delayed the dream. It wasn’t until his 30s, guided by the words of late DJ Buju and driven by a need for expression, that Pahjo fully stepped into his calling.
From early influences like Mighty Sparrow and Machel Montano to writing songs that celebrate freedom, unity, and emotional release, Pahjo represents a new generation of soca artistes who balance energy with substance. His rise has been marked by defining moments — from Antigua Carnival anthems to writing alongside legends — but at the core remains a man grounded in culture, faith, and authenticity. In this Worlmag feature, Pahjo opens up about identity, evolution, mental health, and why soca remains the Caribbean’s happy place.
Can you tell us a bit about where you’re from and how your journey began?
Born and Raise in Georgetown, Guyana and moved to the UK when I was 19. Soca has always been in my genes. I was known as the soca mad man for the family as I was always the one dancing and getting on wild. I knew I wanted to do music from a young age; in primary school actually. My journey into soca never came until my 30’s, as life happened. I had a family at a young age and my focus was all about survival in this new landscape. I was motivated to get back into it by a dj by the name of DJ BUJU (RIP). He always said, do what you want to do, smoke if you want, drink if you want. In 2019 I had a friend in Guyana who was also on his journey into production and he would normally send me the stuff he is working on. He sent me tool box riddim and I wrote something to it. When Buju passed away, his words stood out and I contacted Joey2Kool and told him lets go. From there it has been no looking back.
What inspired you to pursue music seriously, especially soca?
It’s always been a passion, as I paid attention to soca from young. Big Truck from Machel Montano was the song that cemented my love into this genre and it’s always been a motivator. I still cannot hear that song without wilding out.
Why did you choose the stage name “Pahjo” and what does it mean to you?
Pahjo is a combination of my real name Patrick Joseph. The H was put in to add some flare.
Who were your earliest musical influences growing up?
The Mighty Sparrow, Winfield James, Machel Montano, Krosfyah, Shadow
What’s one childhood memory that shaped your connection to music?
My bedroom overlooked the backyard. My aunt would host her parties there, but the kids would be sent to bed. But I was fortunate to have an elevated view and would sit there and look at the elders party freely to Calypso music.
How would you describe your sound and style as an artist?
I still think I am trying to find a particular sound. I am very versatile in all formats of soca, except for Dennery. At the beginning I had more of an aggressive tone, but over the years with the accompaniment of vocal coaching, I am taking a deepr interest in the soul groovy vibe. But still love my party vibes. Energetic.
Walk us through your creative process — where do you start when writing a song?
It’s always the melody. I don’t listen to a beat until I press record. I will put down whatever comes to mind. It is mostly gibberish. I listen to that gibberish and sometimes I hear words that birth an Idea, and I go from there.
What part of making a song do you enjoy the most (lyrics, melody, production)?
Lyrics and Melody is definitely my strong points. I am considering going to production school to add that to my CV.
Do you write differently for a soca carnival anthem vs. a slower groove track?
Yes and No. More recently I am putting more emotion into Groovy. I am trying to move away from the jump and wave and transition into topics that are more relatable and tell my story.
How has your music evolved since your first release (Ah Mas in 2020)?
Day and Night. I couldn’t hold a note in 2020. Working with vocal coaches, professional writers and amazing producers, my sound has changed leaps and bounds. I actually get squeamish listening to my early stuff.
You’ve worked with artists like Problem Child on Identity — how did that partnership happen?
I met Problem Child in London and we connected. He was real cool and he entrusted me with his number. When Gareth from Caricom music contacted me with this beat, I told him I wanted a collab. He said okay, but it was down to me to find that artiste. I hit Problem Child and he said yes, but I had to write the song. It took me about 4 attempts before I got it right and he then added his flare, and Identity was born.
Mashup Kingdom became Antigua’s official Carnival song — what was that experience like?
That was a song I wrote at home, just being in a mischievous mood. DJ Shaker sent me the beat and in less than 2 hours I sent him a full demo. Let’s just say, he got active instantly and his ideas of collaboration started. Mr Benji was added at the end.
What was your goal for your single Identity and its message of self-expression?
Identity speaks of Soca being a safe space. We don’t care about your preferences, your business, etc, when you are in a soca fete. It’s a message to let the entire dispora know you are welcomed to express yourself how you want.
Which collaboration pushed you musically and why?
Pull Di Pin – Machel Montano x Skinny Fabulous x Wuss Ways. I wrote this song in October 2024, when King Bubba contacted me. This has opened so many doors for me as a writer. Many people don’t even know that the entire song is my write apart from Skinny’s verse. Working with Machel has been a dream.
Any dream artists you’d love to work with next?
Patrice, Bunji and definitely Machel again. I am open to collaborations that make sense. I have learnt that not all collabs are wise. You tend to push harder that the others and the songs can fail as a result.
How would you explain soca’s place in Caribbean culture to someone new to the genre?
Soca is the foundation of the Caribbean’s musical identity. This is our Happy Place. Reggae is our social commentary, but soca is our release of mind, body and energy.
What makes soca meaningful to you personally?
It’s a constant endorphin, It has literally pulled me out of depression. When I started I had just been divorced and lost everything for mistakes I made. Soca saved me.
How does your Guyanese heritage influence your music?
Massively. Even writing, I can go back to that place to grab the cultural influences to speak about in the music. Guyana is a happy place and a place of comfort. Soca and Guyana go hand in hand for me
Soca is evolving — what changes do you see happening in the sound and audience?
Soca needs to remain authentic. We are not trying to be accepted as R&B or as POP. We want soca to be soca. There are alot of new names coming through, which is exciting. Soca is here to stay.
How do you hope soca grows on the global stage?
I firstly would like soca to be recognised as an official genre and not world music. Soca can unite borders, as the music is love, its fun, its unity.
What has been your biggest career highlight so far?
Being the first Guyanese soca artiste to ever perform on Ubersoca cruise was something special. Opening for Kes and Voice in London was also amazing.
How did COVID-19 affect your plans and creativity?
Covid allowed me to slow and learn. I didn’t have a clue about recording and the process of making a song. It allowed me to network with djs, producers and other writers, who taught me so much. It was a blessing for me personally.
How do you prep for a live performance?
Rehearse, rehearse, rehearse. I try my best to remain calm and turn up to the venue very early. Prayer before every stage is pivotal.
What’s one goal you hope to achieve in the next year?
This year is my year of Intent. I am hoping to build on the success of 2025 and just to remain consistent and growing. More stages, more music, more collaborations.
How do you keep connected with your fans both online and offline?
This has been a difficult one for me, as I don’t have a big team. I try to be consistent on IG, but I need to work on more true content. I need people to know me more.
What message do you want listeners to take from your music?
Be you, be bold, be free. Express yourself how you want to live.
What projects are you currently working on that fans can look forward to?
I have a collab with King Bubba, another with Luni Spark and I am in talks with another industry giant on another project. This year will be exciting. Loads coming.
Beyond music, what other creative or personal goals do you have?
I am on a journey of helping now. I am working with allot of young Guyanese musicians. I was fortunately to have built relationships globally, so I am trying to get Guyanese music heard and put them in a place they can launch from.
If you could give one piece of advice to aspiring artists, what would it be?
Do not doubt yourself, but be a sponge. Research and learn. Drop the ego and the arrogance and be open to the critique from the right people. Remove the yes people and surround yourself with people who are “OBSESSED” with your success. Learn the business of music.
Pahjo’s story is more than a music journey — it’s a testament to resilience, self-belief, and cultural pride. From overcoming personal loss and rebuilding through sound, to representing Guyana on global stages and helping the next generation find their voice, his path reflects what soca truly stands for: freedom, healing, and connection.
As he steps into a new season of intent — with fresh collaborations, deeper storytelling, and a growing global footprint — Pahjo remains clear in his mission: to keep soca authentic, inclusive, and rooted in truth. Whether through a groovy melody or a high-energy fete anthem, his message is unwavering — be bold, be free, and always be yourself.
Follow @pahjomusicofficial and stay locked to Worlmag as we continue to spotlight the voices shaping Caribbean culture worldwide.
“From Scrubs to Feathers: Gia’s Journey of Culture, Confidence & Carnival Power”
When you meet Gia, you’re immediately struck by a presence that blends Caribbean royalty with everyday authenticity. Proudly Jamaican, Bajan, and Guyanese, she carries her heritage like armour—woven into her movement, her expression, and the way she represents carnival with purpose and pride. What began as an unexpected entry into modelling has evolved into a powerful form of cultural storytelling, fuelled by family support, ancestral inspiration, and a deep love for the liberation carnival brings.
Balancing life in the NHS with the fantasy, colour, and emotional power of carnival arts, Gia has crafted a lane that feels entirely her own. Whether she’s stepping into a frontline costume, embodying a character on set, or sharing her culture with colleagues who’ve never experienced carnival before, she moves with intention, grounding, and gratitude. This feature dives into the roots, challenges, triumphs, and vision of a woman reshaping what it means to be a carnival model in the UK creative landscape.
1. What heritage or cultural background do you represent, and how does it influence the way you show up in carnival and creative work?
I’m proudly Caribbean; Jamaican, Bajan and Guyanese and that heritage is woven into every part of who I am—my confidence, my boldness, and my creativity. When I show up in carnival or in my creative work, I’m representing a lineage of resilience, storytelling, and celebration. It influences how I move, how I express emotion, and the pride I take in bringing the culture to life visually.
2. What was your earliest memory of carnival or Caribbean culture growing up?
My earliest memory is being on my mums shoulders and seeing the the joy, the celebration, the colours, hearing the steel pans, smelling the jerk pans, and watching the adults around me transform when the music hit. As a child, I didn’t know the politics or history behind carnival I just knew it felt like freedom. That feeling never left me.
3. How does your family feel about your involvement in modelling and carnival arts?
They’re so proud. My mum comes to every launch to scream out my name like it’s my year 3 sports day! At first there was a bit of protective hesitation, but once they saw how passionate I was—and how much discipline and artistry goes into what I do—they became my biggest supporters.
4. Are there cultural traditions from home that you carry into your artistry today?
Yes – movement, storytelling, and respect for community. Carnival isn’t just a costume; it’s a narrative. I always bring that sense of purpose into my work.
5. How did you first step into modelling, and what inspired you to continue professionally?
I stepped into modelling almost accidentally— my friend Chloe (C-unique) encouraged me to model for one of her designs and I decided to give it a try. The confidence it gave me, the creativity it unlocked, and the opportunities to represent my culture kept me going.
6. Was there a defining moment or first shoot that made you think, “Yes, this is what I’m meant to do”?
My first carnival shoot. The energy on set, the empowerment I felt in costume, and the connection with the camera made everything click. I knew I had found something that I genuinely enjoyed and loved to do/be a part of.
7. Who or what were your earliest creative inspirations as a model?
Strong Caribbean women; my paternal grandmother was a pageant queen in the 60’s I still have newspaper clippings of her shows and remember how much that inspired me. Soca performers, carnival queens, and creatives who carried themselves with presence and pride. Their confidence taught me how to own my space and represent my culture with pride.
8. What skills have you had to develop specifically for carnival modeling versus traditional fashion modelling?
Carnival modelling requires stamina, movement and the ability to project energy, not just beauty. You’re not just wearing a costume, you’re embodying a character, a mood, a spirit. The ability to pose dynamically with large backpacks or intricate headpieces is definitely a skill on its own.
9. What does carnival mean to you personally beyond the feathers, gems, and the road?
For me Carnival is liberation—of identity, expression, and history. It’s a space where you can embody your strongest, freest self. Drown out all the noise from whatever may be happening around you and just be. Those two days are probably my happiest throughout the year.
10. How do you prepare mentally and physically for big carnival shoots or mas performances?
Physically, I go to the gym, train, stretch, and keep my energy levels high. Mentally, I get quiet. I focus on grounding myself because I want to show up fully present when I step in front of the camera or on the road. I also practice a lot of positive thinking and tell myself that I’ve got this whenever I step on stage (just to kick away any lingering anxiety or imposter syndrome).
11. What has been your most memorable or powerful carnival costume to date and why?
Most definitely Poison Dart Frog by WASSIVILLE, that was my first front line costume and It wasn’t just pretty; it carried a sense of strength and pride. Wearing it felt like channeling my inner Queen, I felt so confident, so beautiful and so powerful.
12. Are there any designers or mas bands who have significantly shaped your journey?
Yes—designers like Paul, Alfredo and Sophia and Faith who truly understand body diversity, movement, and cultural accuracy have influenced me the most. They create art that feels authentic rather than just aesthetic. From the moment I joined UCOM I felt so comfortable and a part of something so great, inclusive and welcoming. You can see this is mirrored across multiple mas bands, like Island mas, Carnival by Dujura, OPM and many more.
13. How would you describe your style as a model when it comes to portraying carnival characters or fantasy themes?
Expressive, bold, feminine and powerful. I like to transform, step into the fantasy fully and bring it to life with emotion and movement.
Giamilvno x Worlmag Interview website feature
14. What do you look for in a costume or creative direction before saying yes to a project?
Authenticity, creativity, respect for culture, and a team that values professionalism. I want to feel proud of what I represent.
15. Do you think carnival modelling is getting the recognition it deserves in the wider UK creative scene?
It’s growing, but it’s still undervalued. There’s a lot of talent here, but carnival arts needmore mainstream visibility and respect for sure.
16. How would you describe the current UK soca and carnival scene — strengths, challenges, and potential?
The UK scene is passionate and evolving. The strength lies in the community and creativity. The challenge is the lack of infrastructure and investment compared to other creative industries. But the potential? Huge.
17. What do you think the UK still needs in order to elevate carnival culture to its full potential?
More funding, more platforms, and more opportunities for Caribbean creatives to lead the narrative, not just participate in it.
18. Who in the UK soca/carnival space do you admire or see as pushing the culture forward and why?
I admire anyone who consistently shows up—DJs, designers, mas bands, models, and dancers—who invest their time and energy into building the culture with authenticity.
19. How do you balance authenticity and creativity when representing Caribbean culture in a UK setting?
By staying grounded in the roots while still embracing innovation. Carnival can evolve, but its foundation shouldn’t be watered down.
20. How do you feel the UK carnival energy compares to carnivals abroad?
Abroad, the energy is more immersive and deeply rooted. The UK has passion, but we’re still building the infrastructure and cultural depth that Caribbean carnivals naturally have.
21. With modelling, work, and everyday life, how do you manage balance and avoid burnout?
I prioritise rest and boundaries. When I’m off, I’m off. I’ve learned to protect my energy and not pour from an empty cup. My career can be quite stressful and challenging at times, working for the NHS it’s a huge contrast between my creative work but I always look forward to launch season, my colleagues can’t believe how I transform and I enjoy sharing the culture with them, especially those who have never been or heard of carnival and what it represents. It’s a blessing to be in scrubs and then be able to stand tall in my platform heels and big backpack striking a powerful pose.
22. What does your self-care routine look like before and after major shoots or carnival events?
Before: stretching, good nutrition, hydration, and grounding music. (A sip of rum)
After: skincare, deep rest, and moments of silence to decompress.
23. What are some personal challenges you’ve had to overcome in your creative or modelling life?
Learning to trust my vision, quiet the self-doubt (as that can be a real challenge) and understand that not every opportunity is meant for me. Growth requires discipline and self-belief. I’ve had to overcome issues with anxiety and depression which started in my early teens but I found the more that I show up and show out, the more I believed that this is where I’m meant to be and this is what I’m meant to be doing.
24. How do you stay grounded emotionally in such a visually demanding and high-pressure industry?
By remembering who I am outside the camera. My identity isn’t based on likes, costumes, or validation—it’s based on character.
25. What keeps you motivated during times when your energy or mental health feels low?
Purpose. Knowing that my work inspires women, represents my culture, and allows me to express myself creatively keeps me going. Even the people that are around when we are working, everyone is just amazing with checking in and making sure you’re okay, that you feel good and confident, there’s a real sense of belonging and care throughout.
26. What are your goals as a model over the next 1–3 years?
To build my profile internationally, collaborate with more carnival bands, and potentially expand into creative direction and brand partnerships.
27. Are there any dream collaborations, designers, or bands you hope to work with?
Yes—some of the International Caribbean mas bands and UK designers that really push boundaries with costume innovation and movement-focused design.
28. How do you see your role evolving in the carnival community as your profile grows?
I want to be more than a model. I want to uplift other creatives, mentor upcoming models, and help shape the future of the culture.
29. Are you exploring other creative lanes outside modelling — such as styling, creative direction, wellness, or entrepreneurship?
Definitely. I’m exploring creative direction and wellness content, especially for women working in high-pressure industries.
30. If you could send a message to young women who want to join the carnival modelling
world, what would you tell them?
Own your power, protect your boundaries, and lead with authenticity. Carnival is about freedom—so don’t shrink yourself. Step boldly into your space and be proud!
Contact/Socials – @giamilvno
Gia’s journey is more than feathers and camera flashes—it’s a testament to resilience, identity, and the transformative power of culture. Her story reflects the heart of Caribbean creativity while highlighting the possibilities that open when you lead with authenticity and purpose. As she continues to rise, building her profile internationally and exploring new creative lanes, one thing remains certain: Gia is not just modelling carnival—she is living it, preserving it, and pushing it forward.
Her message to young women is the same message she lives by: stand tall, own your space, and honour your roots. The UK carnival scene is evolving, and voices like hers are shaping its future. And from the frontline to the festival road, Gia is proving that Caribbean women are rewriting the narrative—boldly, beautifully, and unapologetically.
Love Revelation Riddim: A Powerful Fusion of Reggae Legends and Modern Voices
The Love Revelation Riddim stands as a rich and soulful addition to the reggae and dancehall landscape, bringing together some of Jamaica’s most respected voices across generations. Rooted in themes of love, reflection, and emotional truth, the riddim delivers a timeless sound while remaining firmly connected to today’s musical energy.
Featuring Jah Vinci, Wayne Wonder, Xyclone, I-Octane, and Flexx (TOK), the Love Revelation Riddim is a celebration of Caribbean artistry, lyrical depth, and cultural continuity.
Jah Vinci – Modern Emotion with a Classic Touch
Jah Vinci opens the riddim with heartfelt delivery and smooth melodies, blending contemporary dancehall style with introspective lyricism. His contribution captures the emotional core of the Love Revelation Riddim, speaking directly to love, growth, and personal awareness.
Wayne Wonder – Timeless Reggae Excellence
A true reggae icon, Wayne Wonder brings unmatched vocal control and romantic storytelling to the riddim. His presence adds depth and prestige, reminding listeners why his voice continues to resonate across generations and international audiences.
Xyclone – Conscious Lyrics and Resilient Spirit
Xyclone delivers a thoughtful and grounded performance, injecting the riddim with conscious energy and lived experience. Known for his journey and lyrical honesty, his contribution reinforces reggae’s role as a voice for reflection, perseverance, and truth.
I-Octane – Passion, Power, and Purpose
I-Octane’s signature intensity shines through on the Love Revelation Riddim. With powerful vocals and uplifting messages, he balances passion and positivity, offering a track that inspires strength, love, and self-belief.
Flexx (TOK) – Dancehall Veteran with Enduring Flair
Representing legendary dancehall group TOK, Flexx brings veteran confidence and rhythmic charm. His contribution adds contrast and versatility to the riddim, grounding the project in authentic dancehall roots while keeping the energy vibrant.
A Riddim Rooted in Love and Revelation
The Love Revelation Riddim is more than a compilation—it’s a musical statement that honours reggae’s emotional depth and dancehall’s dynamic spirit. By uniting legendary artists with modern voices, the project showcases the strength and adaptability of Caribbean music.
This riddim serves as a reminder that love, truth, and conscious expression remain at the heart of reggae’s global appeal.
Worlmag salutes the artists and creatives behind a project that truly reflects the heart of Caribbean music.
