Capleton Ignites ReggaeLand 2025 – A Fiery Finish to Day One







Yelé Drops Motivational Dancehall/Reggae Anthem “Never Letting Down” —
A Bold Declaration of Faith, Hustle & Global Dreams
London, August 1st 2025 – Rising Afro-fusion artist Yelé returns with “Never Letting Down”, a feel-good Dancehall/Reggae anthem packed with layered harmonies, motivational lyrics, and the kind of infectious groove that makes you move.
Out now on all major streaming platforms, the track features Kingston native The Gideon and showcases Yelé’s signature blend of boldness, rhythm, and soul.
Driven by pulsating patois hooks and cinematic lyrics, Never Letting Down is more than just a vibe — it’s a declaration. The track speaks to every dreamer chasing a vision, blending island grit with melodic uplift. It’s the kind of song that belongs on the road to greatness and the main stage alike.
“This one’s for the believers,” Yelé shares. “It’s about perseverance, drive, and that unshakeable faith that your dreams are valid and God will come through, no matter the odds.”
Written and recorded at Jah Ova Evil Studio in Kingston, Jamaica, the track was born during a grassroots promo run that included appearances at Uptown Monday, Boom Sunday, and the Reggae Sumfest media launch. It captures the fire of real ambition and spiritual grounding — a soundtrack for turning goals into global impact.
Yelé’s previous single Outside (Thinking About You) garnered 140K+ YouTube views; radio play across the UK, US, Canada, Jamaica, Uganda, and Nigeria; and blog coverage from NotJustOk, BellaNaija, and Tooxclusive. With Never Letting Down, she levels up once again — preparing for a live performance at Notting Hill Carnival, continued radio promo, and a targeted campaign across Africa, the Caribbean, and the diaspora.
With her genre-blending style and cultural fluency, Yelé delivers a musical experience that’s distinctly her own. Never Letting Down cements her as an emerging voice with a message worth moving to.
Listen to “Never Letting Down” now and turn the volume up on your vision.



Location: Birmingham, UK
Presented by: DJ Nate & Caribbean Rocks
Featured Artists: Teejay, Kranium, Jagwa De Champ, Klassik
Crowd Energy: Unmatched
Vibe: 100% Caribbean Unity & Bashment
This past Sunday, DJ Nate turned Birmingham into a full-blown island experience with Caribbean Rocks — and if you missed it, just know: you missed a movie.
From the moment the first riddim dropped, the crowd was locked in. Caribbean sounds echoed through the venue, from dancehall and soca to afrobeats and bashment fusion. The lineup? Absolutely wicked.

Dancehall star Teejay reminded the audience how to drift—delivering high-energy performances and fan-favorite anthems that had waistlines moving and flags flying.
Kranium took control with his signature sultry sounds, letting the ladies know Caribbean men come equipped with strong knees and good strength. His performance had the ladies front and center, singing along and vibing in full gyal mode.

Then came Jagwa De Champ, turning up the tempo with commanding stage presence. His viral line — “Face down, ass up!” — had the crowd activated, turning the entire space into a wild summer bashment session.

Klassik rounded out the madness, reminding us that if you’ve got the rhythm and the room, you’re a big dancer. Simple and true. The man gave a performance that brought everyone out of their shell and into full dance mode.

Caribbean Rocks Birmingham wasn’t just a concert — it was a cultural reset. From island flags waving high to dancehall queens owning the floor, the vibe was unstoppable. DJ Nate and the Caribbean Rocks team curated an experience that felt like a carnival, a stage show, and a club night all in one.
Top Moment: Jagwa’s “Activate” segment had the crowd in a frenzy
Biggest Wheel-Up: Teejay’s “Drift”
Overall Rating: 🔥🔥🔥🔥🔥 (5/5) — SHELL DOWN CERTIFIED
Review by Hailee
Images by – Decibel Therapy
Location: Addington Park, Croydon
Headliners: Demarco (JA), Donae’o (UK)
Special Guests: Big Zeeks, Andrew Fresh, Movie Star Johnny
Crowd: ~70% female, high energy, fully engaged
Bus Drivers Link Up 2025 delivered the essence of grassroots Caribbean celebration in the heart of Croydon. Despite many arriving just as the gates were closing at 8 PM, our reviewer caught the key acts that kept Addington Park shaking with energy from start to finish.

The early segments featured Andrew Fresh, bringing nostalgic flair and warming up the crowd with classic selections. Big Zeeks made a brief appearance, offering just a taste of his street anthems before handing over to hosts Movie Star Johnny and company, who kept things lively.

When Donae’o hit the stage, the crowd erupted — especially the women at the front, who made up an estimated 70% of the audience. Running through hit after hit, Donae’o had fans singing word for word. It was a full singalong session that proved why he remains a staple in UK urban music culture.

Demarco followed with a well-curated set diving deep into his dancehall catalogue. At one point, he brought up two women to the stage for a dance-off. The white contestant gave it a go, but it was the Black dancer who “climbed on top the speaker and shell the place” — winning both the crowd and the moment.
Demarco wrapped up his performance by walking through the audience, serenading them with “Love My Life” — creating a goosebumps moment as he faded out the mic in a perfect crowd-sing finale.
Interestingly, Jazzy T from Renaissance was expected by some, but was either a no-show or performed much earlier without much crowd reaction. Acts like Sir DJ Corey, Allan Brando, and Don Crazy also touched the stage, but the reviewer missed their sets due to arriving late.

Bus Drivers Link Up 2025 felt like a true “street meets stage” affair — where UK and Jamaican vibes collided in one outdoor, energy-packed link-up. From sound clashes to singalongs, speaker-top dancing to catalog hits, the vibes were up and the people were locked in.
Highlight: Demarco’s crowd walk-off to “Love My Life”
Lowlight: There are a few minor technical issues with playback
Energy Rating: (4.5/5)

Images By – Bampson
From 10 months old in a pram to confidently gracing the road in full costume, Rhianna—better known as Rhee—has lived and breathed carnival her entire life. With Jamaican and Guyanese roots, she brings a fusion of Caribbean culture that’s as rich and flavorful as the traditions she proudly represents. Modelling for eight years and carrying the spirit of mas deep in her soul, Rhee’s story is one of fearless expression, vibrant energy, and a deep connection to her heritage. Whether she’s on the road in Jamaica or sharing cultural stories through her modeling, Rhee continues to shine as a beacon of Caribbean pride and female empowerment.
Personal Background
My name is Rhianna known as Rhee, and my background is Jamaica and Guyana.
2. How did you first get involved in the carnival scene?
I was born into carnival. I played my first mas at 10 months. My mum had me in a baby costume in my pram.
3. What does carnival mean to you personally?
Carnival means everything to me, it is where I first learned about my culture and had a home away from home. I spent most weekends and school holidays at carnival camp.
4. How would you describe your cultural background and how it influences you today?

My cultural background reminds me of different herbs and spices all blended into one. Creating an explosion of flavour’s that tell stories of resilience, tradition, and vibrant identity.
Carnival & Modelling Experience
I have been modelling in carnival for 8 years now.
My first ever time modelling was unforgettable as I was so nervous! I remember the vibrant energy from the crowd, and the support from the band was unmatched!
I personally love traditional costumes they tell a story. However, I am loving and enjoying seeing modern day costumes and how evolutionary they have become.
I have taken part in Jamaica Carnival

Mentally I prepare by imagining what the road will look like carnival morning. The feeling of the bass pumping through my body as I make my way down the road. Physically?? I’m hitting the gym! Even if it’s in the last week 😂
I remember one year where the sun was shining so hard and me and my girls were having the time of our lives, no worries no stress just pure vibes. I remember hugging my bestie as we walked down the road.
Culture and Identity
11. How important is it for you to represent your heritage through carnival?
It is very important, I personally feel like I would be doing an injustice if I didn’t represent my heritage.
Challenges I’ve faced are that you have to be your own cheerleader, not everyone will believe in you or respect you at first, but keep going. When I first started, I used to get upset at not getting certain opportunities, but they have made me stronger and made me go harder over the years. You can’t be everyone’s cup of tea, and that’s okay. Just believe in yourself.

Carnival empowers women, especially those of Caribbean descent, by giving them a space to reclaim and celebrate their bodies, culture, and identities on their terms. Through bold costumes, dance, and music, women can express freedom, confidence, and pride in ways that challenge colonial, patriarchal, and Eurocentric beauty norms. It’s a powerful act of visibility—honoring ancestral roots while embracing the joy and strength of womanhood in a communal, unapologetic way.
Absolutely. Many models from the Caribbean draw inspiration from cultural traditions like Jonkonnu, Jab Jab, Carnival masquerade, or ancestral stories tied to resistance, spirituality, and celebration. Through modelling—whether it’s in costume design, body paint, or storytelling through poses—these elements can be expressed in powerful visual narratives.
The Future and Advice
Own your identity. Whether you’re on the road in Carnival or in front of a camera, your uniqueness is your power. Don’t feel pressured to fit into narrow beauty standards—Caribbean culture thrives on diversity. Do your research. Know the cultural roots of Carnival and the expectations of the modeling world. Understanding your craft makes you more

confident and protects you from exploitation. Set boundaries. Especially in modeling, be clear about what you’re comfortable with. Respecting yourself teaches others to do the same. Surround yourself with support. Find mentors, peers, or communities who uplift you and hold you accountable. Both spaces can be challenging, but you don’t have to navigate them alone. Celebrate yourself. Whether it’s through feathers and sequins or in a photoshoot, let every moment be an expression of your strength, culture, and beauty.
Most definitely! YardMas based in Jamaica
Better protection and support for performers and models. From fair pay and safe work environments to mental health resources, both industries need stronger systems to protect participants, especially young women. More local leadership. Caribbean creatives—designers, stylists, photographers, bandleaders—should be leading the narrative, not sidelined by foreign voices or investors.
Knowing your values and setting boundaries. In the spotlight, it’s easy to feel pressure to perform or please others, but reminding yourself why you started—whether it’s love for culture, self-expression, or community—keeps you grounded. Protecting your peace is key. That means keeping some parts of your life sacred: time with family, personal rituals, or moments offline. Not everything needs to be shared to be meaningful. When you move with intention and stay authentic, the right people will connect with your truth—not just your image.
Fun Extras
19. What’s your ultimate carnival must-have item (besides your costume)?
My hand sanitizer 😂😂 is a MUSTTTTT
Fearless. Vibrant. Unapologetic.
Contact/Social:
Rhee isn’t just a model—she’s a movement. Her journey through the carnival world speaks to resilience, creativity, and the power of culture to uplift and unite. With every feather, wine, and fierce pose, she reclaims space for Caribbean women to feel seen, celebrated, and strong. Fearless. Vibrant. Unapologetic. That’s not just her carnival vibe—it’s the legacy she’s building with every step she takes.
Images By: @biggie_wuk

