The process of getting a movie off of the ground is a lengthy endeavor, with casting standing out as one of the essential elements of the process. Simon Doe has his tongue planted in his cheek as he describes the fictional skills of his advancing agent.Praesent iaculis, purus ac vehicula mattis, arcu lorem blandit nisl, non laoreet dui mi eget elit. Donec porttitor ex vel augue maximus luctus. Vivamus finibus nibh eu nunc volutpat suscipit. Nam vulputate libero quis nisi euismod rhoncus. Sed eu euismod felis. Aenean ullamcorper dapibus odio ac tempor. Aliquam iaculis, quam vitae imperdiet consectetur, mi ante semper metus, ac efficitur nisi justo ut eros. Maecenas suscipit turpis fermentum elementum scelerisque.
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“Simon Doe has his tongue planted in his cheek as he describes the
fictional skills of his advancing agent.”Steve Kowalsky
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Nisi habitasse viverra praesent a maecenas odio erat tristique praesent elementum rutrum maecenas blandit nec curabitur donec, turpis varius etiam felis ultrices sit, per inceptos dapibus fames donec praesent quisque commodo primis proin leo nisl lacinia dictumst justo sagittis luctus vestibulum sed quisque.
[youtube https://www.youtube.com/watch?v=bPh0kfMRIFA]
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Macy – Also known as Macyy Jadee, I am half English, half Jamaican
From stealing her dad’s phone to play with a DJ app as a child, to going viral during lockdown with a mix that racked up 20,000 views, Macyy Jadee’s journey is the definition of humble beginnings with unstoppable ambition. The Manchester-born, half-Jamaican, half-English powerhouse has transformed her love for music into a career that has already taken her to Notting Hill Carnival, BBC Radio, and international stages in Miami, Malta, and Tenerife. Known for her unpredictable sets, blending soca with everything from funky house to dancehall, Macyy Jadee has quickly become one of the most exciting female DJs representing the Caribbean sound in the UK and beyond.
Macyy Jadee
What first drew you to DJing, and what was the moment you decided you wanted to pursue it seriously?
Djing was always a hobby for me. When I was younger, I used to steal my dad’s phone because he had a DJ app on it. I had no idea what I was doing, but I would spend hours on it. One day in lockdown, I released a mix for fun, and it went viral with over 20,000 views. A club saw it and then booked me to have my first ever DJ set, from there the bookings were rapidly picking up, and I had no choice but to take it seriously!
Can you share a vivid memory of one of your humble beginnings—maybe your first gig or a DIY setup that didn’t go as planned?
I remember during lockdown, I used to do live streams, DJing. I look back on some of the videos and cringe. I had no idea what I was doing or how anything worked. I was just winging it because I genuinely loved being behind the decks. It’s great to be able to see the growth from then to now!
Macyy Jadee
How did Manchester shape your sound, and what’s unique about the SOCa scene there?
Unfortunately, the soca scene is still quite small in Manchester, compared to where I would personally like it to be. It definitely works in my favour as I use it as an opportunity to educate and get creative. I always think about what song the crowd knows, then make a mash-up with soca lyrics on a familiar beat. It keeps the crowd moving while learning new songs, and I also get to play my favourite soca songs, so it’s a win-win for everyone! I think that’s where my love for being unexpected in my DJ sets has come from. Mixing the most random songs and watching the crowd’s reaction makes me laugh. I would like to think my sets are unpredictable, and hopefully I can keep it that way.
What challenges did you face early on—was it gear, budget, or opportunity?
I think my hardest challenge has been breaking the stigma around female DJs. It’s something that I am still fighting even 4 years into my DJ Journey. I have even been shouted at in clubs by security for being in the DJ booth as I’m setting up my equipment for my set. I definitely feel like I’m constantly having to prove myself and that I have been booked, whether that’s having to pull my DJ laptop out of my bag to show that I’m here to work and not just trying to get into the club for free, or showing my social media that says I’m a DJ. It’s definitely tough, but I just hope I go through all of this so other female DJs don’t have to.
Macyy Jadee
Do you remember the first track you ever mixed live? What was it, and how did it go?
Oh wow, I remember when I first started DJing, I used to play Funky House, Garage, and Bassline. I was DJing at a house party and mixed dancehall with house, and the crowd was literally screaming and jumping. I think that’s when I realised I can take DJing wherever I want to go with it, and the opportunities are endless
You’ve done some exciting mixes—from Soca for Notting Hill Carnival to BBC Radio mixes—what’s your mindset going into those big moments?
I always get so nervous, even now! I do spend months preparing, whether that’s researching, listening to podcasts, talking to DJs, I always make sure I am overprepared. I just try to enjoy it. I always DJ better when I’m having fun, so I try not to take my sets too seriously!
Macyy Jadee
Who were your early support systems—fellow DJs, friends, mentors?
Aw my friends and family were and still are the best. There are too many to name, but I’ve always been blessed to be surrounded by the most amazing people who make me feel like nothing is impossible. Special mention to Morgan, Ros, Thaiyana, and Ravel. I wish everyone to have friends as good as mine because never in my life have I had people support me as much as they do. They probably don’t realise how much they have contributed to my DJ Journey and my growth. They even fly out to come and support my international sets. It’s always scary abroad, but having that familiar face next to you enjoying themselves helps me more than they will ever know. My family has always been supportive! My dad even bought me my first DJ decks because he saw how much I love the DJ app on his phone, haha.
How do you approach curating a SOCa set—what connects all the tracks and keeps people moving?
If you have ever seen me before a DJ set, first of all, apologies! I go into this analysing mode. I will always go hours before my set, watching the crowd to see which songs they like/don’t like. Listening to the DJs to make sure I don’t repeat songs – as that is my biggest pet peeve!! Most of my sets, I don’t go in with a plan of what I’m going to play; I just work off of the crowd’s energy. I love when people are wearing the flags and repping their country because then I can play music from their island, make them feel at home, that’s my way of building a bond with the crowd. Once that bond is built and they trust you, you can start with educating them on some songs they may not have heard!
Macyy Jadee WorlMag Feature
What’s an unexpected track or genre you’ve found blends well with SOCA—and why?
Has to be funky house! It works so well! It’s also my 2nd favourite genre after soca, so hearing them two together just makes me so happy. I grew up with both soca and funky house, so hearing them together gives me the best feeling of nostalgia. Plus, they both have the greatest instrumentals, so the crowd will always keep moving!
Describe that instant when you realized you were no longer just doing this for fun—you had truly “arrived.”
I feel like I’m still doing this for fun, so many bookings I have done and forgot to get paid! Money is just a bonus for me. I think a huge milestone for me was seeing my queue at 11:30 pm at my most recent event @mixupwithmacyyjadee. The doors opened at 11:00 pm, we had people queuing up at 10:00 pm, and the venue hit full capacity at 12:30 am. I had never seen anything like it in my life. I still to this day can’t believe that I did THAT. All by myself!
Macyy Jadee WorlMag Feature
What’s been your proudest milestone so far? Maybe playing with icons at Notting Hill Carnival?
Has to be my international bookings. Tenerife for Lvsh, Malta for Caribbean Rocks, and Miami for Miami Carnival. If you had told me when I first started djing that this is where I would be getting booked, I would have laughed! It still doesn’t feel real, and I’m truly grateful for the opportunities always. One of my proudest milestones was the first time I played at Notting Hill Carnival in 2023. I played for Flagz Mas Band. One of the biggest soca sounds in the UK with the best DJs! I had only been DJing for two years at that point, and Notting Hill Carnival was on my long-term goals list, so to achieve that at such an early stage in my career, but also at such a young age of 21, I was over the moon. I remember I cried the whole way home (a very long 5-hour journey back to Manchester) because I was so happy and grateful for the opportunity! So a huge shoutout and thanks to Kemoy, Latisha, and Flagz for making that happen.
Who are your biggest musical influences—within SOCa or outside it?
I learned a lot from DJ Cee B’s YouTube channel (@DJCee_B). He’s great to watch, especially if you are new to DJing. DJ Nate and English Fire – they have events all over the country and even internationally. I admire DJs who have set up their own successful events companies, Izzy Bossy and DJ Emz – huge pioneers for Female DJing. Machel Montano – One of my favourite soca artists and the singer of most of my favourite songs. A true visionary for soca music.
Macyy Jadee
Tell us about a mix or set that didn’t go as planned—and how you turned it around.
Technical issues are the worst. Power cutting out, Decks freezing, Music disappearing. I’ve had it all. It’s just one of those things that most of the time you can’t help. Just always have a backup for EVERYTHING, keep the crowd entertained, and stay calm.
What’s the most surprising reaction you’ve received from a set, whether in person or online?
One of my TikToks hit 5.5Million Views. It was just a simple mix that I uploaded to my private Snapchat story! I was lacking content, so I posted that video just for the sake of it. The next day I woke up and it had 1Million Views, and it has grown ever since and still is! I wouldn’t mind the mix, isn’t anything special, just a transition from one song to another. Just goes to show, don’t overthink content, just post!
Macyy Jadee
Beyond music, what drives you—what fuels your creative spirit and your hustle?
My environment 100% – I’ve always been surrounded by hard workers, so I think that’s something that has come naturally. Whenever I’m not working, I feel useless and try to stay as productive as possible. Also, being from Manchester, with it being such a small town, not many of us make it out. So, I really wanted to lead by example to other females, especially since it is possible.
What’s your go-to SOCa anthem right now—something that ignites you every time?
I have so many at the moment! I’m currently loving Jab and Vincy Soca. A few faves are Jab Decisions – V’ghn + Terra D Governor Whale Fu See – OG Park Rum Lawd Fraid Horn – Problem Child.
Macyy Jadee
If you could collaborate with any artist—SOCa or otherwise—who would it be and why?
Lady Lava! I love that she represents independence and strength for women in the Soca scene. I love her music, and it really stands out to me as a DJ, as every single one of her songs gets the crowd, especially the girls, moving. As women in the soca scene, the collaboration wouldn’t just be about music; it’s about being seen. When women come together, it shows future generations that there’s room for female voices, female energy, and female leadership in SOCA and the music industry.
How has your brand—or your personality—evolved as you’ve grown?
I’ve always been shy – I still am, but there was a point in time when you couldn’t have a conversation with me because I was that shy. It’s definitely something I’m still working on, but being a DJ has grown my confidence massively!
Macyy Jadee
What’s next on the horizon for you? Any exciting gigs, mixes, or projects coming up?
So much! I have a mix appearing on Radio 1Xtra for black history month, so I cannot wait for that to air. I also have City Splash, which is huge for 1. I’m also in the works for international bookings next year, so a lot’s in store!
Finally, what advice would you give to someone starting from “humble beginnings” and chasing their DJ dream in SOCA today?
Firstly, never let anyone tell you that you can’t do something. I am a huge believer that anything you put your mind to will be possible. Consistency is Key. In terms of being a Soca DJ, my best advice would be to never stop learning. Whether that’s the culture of different islands or the latest music. Soca is a genre that is constantly evolving, and you have to stay on top of the latest riddims. Finally, just put 100% into everything you do and every DJ set. Whether there are 10 people in the crowd or 10000. Do your best. You never know who is watching.
Macyy Jadee
As Macyy Jadee continues to break barriers and inspire the next generation of female DJs, her mission remains simple: bring joy, represent her roots, and prove that nothing is impossible with consistency, passion, and self-belief. With a 1Xtra mix on the way, more international bookings lined up, and her own event brand, Mix Up with Macyy Jadee, growing rapidly, the world is only just beginning to see what she’s capable of. One thing’s for sure—her sets will always keep you guessing, moving, and smiling.
After nearly a decade away, Chronixx’s return with Exile feels less like a comeback and more like a spiritual homecoming. Across 17 tracks, the album embodies the meditative calm of a “true Jamaican Sunday back in the day” — as one fan put it, filled with warmth, family, and the rhythm of everyday life.
The Sound: Roots Reborn
According to KaboomMag, Exile bridges the “golden age of reggae with a new era of consciousness,” grounded in live instrumentation and the organic feel of Studio One. The influence of Sault’s Inflo can be felt throughout: vintage textures meet modern soul, creating an LP that is both nostalgic and refreshingly experimental.
Reggaeville highlights the album’s “rub-a-dub backbone,” describing it as an intentional move away from commercial singles toward timeless musical expression. Tracks like “Sweet Argument”, “Saviour”, and “Family First” flow like sonic prayers — full of grace, patience, and meditation. One listener called it “therapy 🔥🔥🔥,” and that sentiment runs through the project.
Chronixx – Exile | Album
The Message: Peace Over Popularity
World Music Views noted that Exile captures a Chronixx who’s “no longer chasing charts, but chasing clarity.” That philosophy echoes in fan reactions: “He’s not aiming for hits cause he already proved that — he’s just playing how he wants to play.”
The album’s power lies in its restraint. On “Genesis”, Chronixx stretches the soundscape for nine minutes — unhurried, reflective, almost cinematic. “Keep On Rising” turns a simple lyric, “When the heathen a chat behind your back — keep on rising to the top,” into a mantra of perseverance.
Themes: Rastafari, Resilience, and Reflection
Tracks like “Saviour” and “I and I” reassert his faith, while “Pain In Your Heart” and “Resilient” speak directly to endurance. Reggaeville’s review describes Exile as “a deeply spiritual experience” that invites listeners to slow down and listen beyond rhythm. KP on X summarized it perfectly: “If you don’t connect with Rastafari, you might not get it… You have to open your heart to truly connect.”
The Impact: Timeless, Not Trendy
For long-time fans expecting the militant energy of Chronology or hits like “Skankin’ Sweet”, Exile takes a different route — one of serenity, self-awareness, and sound design mastery. It’s less about anthems and more about atmosphere. As World Music Views framed it, Exile is “Chronixx in exile from the industry, but in communion with his purpose.”
One fan called it “the best reggae album since Samory I’s Black Gold,” while another said simply: “This album is therapy.”
Verdict: A Modern Classic in Its Own Lane
Chronixx’s Exile isn’t an album that demands attention — it earns it slowly. It’s roots reggae without the commercial gloss, infused with jazz, soul, and Rastafarian mysticism. The melodies linger, the basslines pulse like meditation, and the message feels timeless.
Like Junior Rodigan said, your favorite three songs will probably change over the next two years — because Exile isn’t meant to impress; it’s meant to grow with you.
⭐ Rating: 9/10 – A meditative masterpiece that trades hype for heart.
A Night of Electric Energy: Ayetian Shines at Brixton Electric
Ayetian’s recent performance at Electric Brixton on October 10th was nothing short of exhilarating, showcasing the rising star’s undeniable talent, magnetic stage presence, and ability to captivate audiences with his infectious energy. From the moment he stepped onto the stage, Ayetian set the venue ablaze with a performance that left the crowd buzzing long after the final notes faded away.
Ayetian Live Performance Review
Entering the stage to his viral anthem “Tip” — featuring none other than Shenseea and Skillibeng (fresh off their own smash “Shake It to the Max”) — Ayetian set the crowd on fire from the very first beat. The energy was contagious as fans sang every line, and even Lady Leshurr couldn’t resist jumping on the wave, releasing her own version in tribute.
Ayetian worlmag 1
Moving through his catalogue of Caribbean fan favourites, Ayetian gave the audience exactly what they came for — a vibrant mix of rhythm, charisma, and his signature slangs: “1 Gyal Everyday,” “Bounce,” and “Yo Natzz.” Each catchphrase sparked wild cheers and chants, proving just how deeply his lingo has embedded itself in Caribbean pop culture.
One of the standout moments of the night came when he performed “Wah Yo Deh Pan,” igniting a frenzy that turned the entire venue into a celebration. The crowd wasn’t just watching — they were living every beat, every lyric, every vibe.
Ayetian worlmag
With his unmatched stage presence, raw energy, and natural connection to his audience, Ayetian transformed the performance into a full-on experience. From start to finish, he commanded the stage like a true star — blending confidence, crowd control, and cultural authenticity to deliver a show that fans won’t forget anytime soon.
The show was not solely a solo act, as Ayetian was flawlessly supported by talented backing artists, sound systems, and fellow performers who elevated the overall experience to new heights. Collaborations with acclaimed acts such as Rampage SoundSystem, Seanie B, and Lady Leshurr added layers of dynamism and diversity to the performance, creating a rich tapestry of talent that further solidified Ayetian’s status as a force to be reckoned with in the reggae and dancehall scene.
Ayetian worlmag
Ayetian’s versatility and skill were on full display as he effortlessly transitioned between his hit tracks like “Balance,” “Anyweh,” and “Tip,” showcasing his range and ability to deliver a standout performance with each song. His seamless blend of infectious rhythms, powerful lyrics, and authentic stage presence left a lasting impression on all in attendance, cementing his reputation as a rising star destined for greatness.
Ayetian worlmag
Overall, Ayetian’s London show at Brixton Electric was a testament to his exceptional talent and star quality, with reviews unanimously praising his energetic performances, engaging audience interactions, and undeniable presence as a rising star in the UK’s reggae and dancehall scene. The night was a celebration of music, energy, and the undeniable allure of Ayetian’s unique artistry, leaving no doubt that his electrifying presence will continue to shine brightly on stages around the world.
3 Cold Dishes - Movie Premiere at Indigo O2 London
Movie Premiere Event
The movie premiere of “3 Cold Dishes” took place at the prestigious Indigo at The O2 in London on September 5th. The red carpet was abuzz with excitement as the main cast members, directors, producers, and other key figures arrived to showcase the impactful film. The premiere was a star-studded event, with all attendees eagerly anticipating the fresh and powerful narrative of the film.
3 Cold Dishes – Movie Premiere at Indigo O2 London
At the premiere, there was a lively talk session where stars of the movie, as well as directors and producers, shared insights into the making of the film and the significance of its message. Translators were on hand to facilitate communication, bridging languages and cultures to ensure that everyone could fully grasp the depth of the story being told. Limited French was used during the event to highlight the Pan-African elements of the film and to shed light on the issue of human trafficking in Africa.
Main Characters’ Performances
The performances of the three female leads – Esosa from Nigeria, Fatouma from Côte d’Ivoire, and Giselle from Benin – were lauded as exceptional and emotionally resonant. Each actress brought a unique strength and vulnerability to her role, embodying the trauma, resilience, and determination of their character with depth and authenticity. Their on-screen chemistry and individual portrayals captivated the audience and garnered high praise from critics and viewers alike.
3 Cold Dishes – Movie Premiere at Indigo O2 London
Synopsis
“3 Cold Dishes” is a gripping Pan-African revenge thriller that follows the harrowing and empowering journey of three women who reunite to seek justice against the men who trafficked and exploited them in their youth. As the story unfolds across West Africa, the audience is taken on a suspenseful and emotional ride, witnessing the women’s transformation from victims into powerful agents of retribution.
The film delves into themes of trauma, sisterhood, identity, and the complex legacy of human trafficking, offering a fresh and poignant perspective on a harrowing reality faced by many across the continent. Through a blend of intense action sequences, heartfelt performances, and thought-provoking storytelling, “3 Cold Dishes” leaves a lasting impact on its viewers, prompting reflection on resilience, justice, and the enduring power of hope.
3 Cold Dishes – Movie Premiere at Indigo O2 London
Overall, the movie premiere of “3 Cold Dishes” was a resounding success, with all in attendance praising the powerful performances of the female leads, the compelling narrative, and the film’s ability to shed light on an important social issue with both sensitivity and boldness. The event at Indigo at The O2 in London marked the beginning of a new chapter in African cinema, showcasing the talent and storytelling prowess of the region to global audiences.
Gospel Explosion 2025 – A Night of Praise, Power & Caribbean Gospel Energy
Broadway Theatre, Catford – Saturday 4th October 2025
gospel explosion 2025, London
South London came alive on Saturday night as the Broadway Theatre in Catford hosted Gospel Explosion 2025 — an unforgettable evening of worship, Caribbean gospel flair, and powerhouse performances. This was powered by Harmony Productions and Another Level Promotions. Backed throughout the night by the ever-tight Eddie’s House Band, the event blended new talent with seasoned international acts, creating a worship experience that truly lived up to its name.
Opening with Coco Dupree
gospel explosion 2025, London
The evening began with Coco Dupree, who confidently stepped out from her history as a background vocalist to command centre stage. Delivering smooth gospel R&B vibes with songs like “Say Aah” and “He Done It”, Coco’s soulful voice and heartfelt ministry immediately set the atmosphere. Her presence showed growth, artistry, and a sense of ownership that warmed the South London crowd.
Imrhan – Urban Gospel Fire
gospel explosion 2025, London
Fresh off his recognition as Premier Gospel’s Best Newcomer and his transition from the Lotto Boyz collective, Imrhan brought a refreshing variety to the stage. Mixing rap and testimony, he energized the theatre with tracks like “Nice With Christ”, “This Year Blessings”, “Heavy”, and a clever gospel flip of Masicka’s “Scripture & Bible”. His urban gospel edge connected strongly with younger fans, setting the tone for variety and innovation.
Natalie Okri – From Britain’s Got Talent to Gospel’s New Sensation
gospel explosion 2025, London
Known to many for her childhood appearance on Britain’s Got Talent, Natalie Okri has blossomed into one of the UK’s brightest gospel newcomers. Wearing a vibrant outfit that matched her radiant energy, she shared new material like “Lord Have Mercy” alongside her viral track “Blessings” and fan-favourite “In With the New”. Okri’s set reflected her journey from pop culture fame to purposeful gospel artistry, proving why she is one to watch on the UK gospel scene.
Roger Samuels – South London Worship Leader
gospel explosion 2025, London
A finalist from The Voice UK and a local South London favourite, Roger Samuels, turned the Broadway Theatre into a house of devotion. With commanding vocals and heartfelt worship, he led the audience through songs like “Bless Your Name”, “Single Minded”, “Waiting on Jesus”, and “You Will Rise”. The entire theatre rose to its feet, hands lifted high, as Roger’s passionate delivery built into an electrifying worship session that left no one untouched.
VaShawn Mitchell – Gospel Excellence from the States
gospel explosion 2025, London
All the way from Chicago, Grammy-nominated gospel star VaShawn Mitchell blessed the stage with both classics and fresh anthems. Known globally for hits like “Nobody Greater”, Mitchell enriched the night with songs from albums such as Chapter X, Elements, and Unstoppable Live. From “Chasing After You” to “Make a Way” and “Wind of God”, his set was both uplifting and interactive, demonstrating why he remains one of America’s most celebrated worship leaders.
Let’s Go Gospel Lewisham Choir
gospel explosion 2025 London
Adding a rich community touch, the Let’s Go Gospel Lewisham Choir delivered harmonies and energy that embodied the collective voice of London gospel. Their presence underscored the night’s theme of unity, local talent, and cultural heritage.
Sherwin Gardner – Caribbean Gospel Powerhouse Closes the Night
gospel explosion 2025, London
The finale belonged to Sherwin Gardner, the Trinidadian gospel pioneer whose hit “Find Me Here (Blessings Find Me)” has gone viral worldwide. A veteran of the Caribbean gospel movement, Gardner filled the theatre with vibrant soca-infused praise. Performing new tracks like “Proud of You”, “My Blessing”, and “Over Me” alongside timeless worship choruses, he had the audience jumping, waving, and dancing. With exhortations to remember that he “never walks alone but with the Father, Son, and Holy Ghost,” Gardner’s high-energy set perfectly sealed the night with joy, movement, and celebration.
gospel explosion 2025, London
Conclusion
Gospel Explosion 2025 was more than a concert — it was an experience of worship, culture, and unity during Black History Month. From soulful R&B grooves to urban gospel rap, from Caribbean soca praise to traditional worship anthems, the Broadway Theatre crowd left filled with satisfaction, praise, and blessing.
Noah Powa Gets Real: Life Lessons & Plans for His First Theatre Tour
Noah Powa talks about lived and learnt experiences.
Headline: His own Theater/Arena Tour “Noah Powa Gets Real:
Life Lessons & Plans for His First Theatre Tour” Noah Powa opens up about his journey from Kingston to New York, the lessons he’s learned in music and life, and the challenges he’s faced proving himself beyond comedy and DJing.
In this candid conversation, he shares the highs, the setbacks, and the resilience that shaped him, while giving fans a look at what’s next—including his first theatre tour.
Tune in for inspiration, motivation, and a deeper understanding of Noah Powa’s rise, fall, and triumphs in the dancehall scene.
Freedom Street Festival: Fans Speak on the Highs, Lows, and Once-in-a-Lifetime Vibes
Freedom Street Festival: Fans Speak on the Highs, Lows, and Once-in-a-Lifetime Vibes
By Community Voices
Freedom Street Festival: Fans Speak on the Highs, Lows, and Once-in-a-Lifetime Vibes
The much-anticipated Freedom Street Europe edition has left fans buzzing — some calling it the “best festival ever,” while others pointed to flaws in organisation and execution. With headline performances from Vybz Kartel (via set tribute), Spice, Skeng, Dexta Daps, and more, the event clearly delivered unforgettable moments. But fans were equally vocal about what went wrong.
The Vibes: “Felt like I was back in Jamaica”
From the jump, the energy was undeniable. Many attendees praised the atmosphere, describing the festival as a cultural homecoming.
•“Freedom Street has felt like I am back in Jamaica. The vibes have been 10/10, despite the poor organisation.” – @ShanDainty
•“Freedom Street is the best festival I have ever been to hands down. Big up Vybz and the team because they did that!” – @sxv_nao
For some, it was more than just a concert — it was a reunion. “Seeing people at Freedom Street that I have not seen in yearssss. Real reunion,” wrote @XXVXIICXIII.
Standout Performances: Divided Opinions
Freedom Street – Night 2 Skeng
While the vibes were consistent, reviews of the performances were mixed.
Dexta Daps, Spice, and Skeng emerged as fan favourites:
•“Dexta Daps’ performance was easily best at Freedom Street, then Tommy Lee, Kartel/Skeng, Spice can share 2nd.” – @CleanRas
•“Skeng and Kartel made me lose my mind last night. The performances. The vibes. The atmosphere. This is definitely a once in a lifetime experience.” – @tiandemi
But not all agreed. Some felt Kartel’s set fell flat:
•“That Kartel set yday was trash tho no shade. Hopefully he does the real Freedom Street set.” – @cocoupdate_
•“Freedom Street was flawless until it wasn’t — whoever’s idea it was to repeat Kartel’s set list needs a conk in their head.” – @r1m11c1
Organisation and Communication: “Flawless… until it wasn’t”
Freedom Street
If there was one recurring complaint, it was around organisation, timing, and communication.
•“I genuinely can’t believe how good Freedom Street has been despite all of their disorganisation.” – @_AJC3
•“Freedom Street were shit with the social media communication but the actual festival has been FLAWLESS. You have to give them their flowers.” – @DeOne___
•“Freedom Street need to stop doing last min changes. Messing up my schedule.” – @iamuniquee
For some, the chaotic elements didn’t spoil the fun:
“Freedom Street owes me absolutely nothing — except my €17.86 left on my wristband and I WANT IT BACK!” – @HeWantsWealth
Community Spirit: “Worth it in the end”
Freedom Street Festival: Fans Speak on the Highs, Lows, and Once-in-a-Lifetime Vibes
Despite the hiccups, fans praised the crowd and the sense of togetherness.
•“Freedom Street was so worth it and I’m happy I went in the end. I loved that everyone actually knew how to behave as well.” – @MikezAFC
•“I had the best time at Freedom Street — from the girls I went with, to the artists I saw, to the people I linked up with that I haven’t seen in years.” – @kitathecomedian
Recommendations Going Forward
The fans have spoken, and their feedback paints a clear picture:
1.Better organisation & communication: Fans want earlier set times, clearer social media updates, and fewer last-minute changes.
2.Diverse line-ups & setlist variety: Repeated performances dragged down the experience for some; fresh, unique sets are essential.
3.Lean into the cultural reunion: What resonated most was the sense of community and Caribbean nostalgia — “Felt like being back in Jamaica” was a recurring theme worth amplifying.
4.Expand to new territories: Many fans now want a Jamaican edition featuring OGs like Buju Banton, Bounty Killer, and Shabba Ranks. “Now that the research has been done with having Freedom Street in Europe, I need Vybz and him management to do his big one again in JA with the OGs.” – @scw_yktv
Freedom Street Festival: Fans Speak on the Highs, Lows, and Once-in-a-Lifetime Vibes
Final Verdict
Freedom Street Europe was, by most accounts, a cultural milestone. Fans left with memories of a lifetime, even if some grumbled about disorganisation and DJ choices. The festival reminded many of home, gave others long-awaited reunions, and showcased the enduring global pull of dancehall and reggae culture.
Or, as one fan put it simply:
“If you never went to Freedom Street (and it’s your type of thing), you lacked. Massively.” – @its_notlayla