Battle Mode Not Currently Planned For Crytek’s New Shooter

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The process of getting a movie off of the ground is a lengthy endeavor, with casting standing out as one of the essential elements of the process. Simon Doe has his tongue planted in his cheek as he describes the fictional skills of his advancing agent.Praesent iaculis, purus ac vehicula mattis, arcu lorem blandit nisl, non laoreet dui mi eget elit. Donec porttitor ex vel augue maximus luctus. Vivamus finibus nibh eu nunc volutpat suscipit.
Nam vulputate libero quis nisi euismod rhoncus. Sed eu euismod felis. Aenean ullamcorper dapibus odio ac tempor. Aliquam iaculis, quam vitae imperdiet consectetur, mi ante semper metus, ac efficitur nisi justo ut eros. Maecenas suscipit turpis fermentum elementum scelerisque.
Sed leo elit, volutpat quis aliquet eu, elementum eget arcu. Aenean ligula tellus, malesuada eu ultrices vel, vulputate sit amet metus. Donec tincidunt sapien ut enim feugiat, sed egestas dolor ornare.

“Simon Doe has his tongue planted in his cheek as he describes the
fictional skills of his advancing agent.”Steve Kowalsky

Potenti fusce himenaeos hac aenean quis donec vivamus aliquet, wprdpress integer inceptos curae sollicitudin in class sociosqu netus, euismod tempus fermentum odio gravida eleifend viverra pulvinar inceptos ligula consectetur. Potenti ante porttitor tristique curae scelerisque tristique, dictum eu donec conubia sit rutrum duis viverra in commodo.
Nisi habitasse viverra praesent a maecenas odio erat tristique praesent elementum rutrum maecenas blandit nec curabitur donec, turpis varius etiam felis ultrices sit, per inceptos dapibus fames donec praesent quisque commodo primis proin leo nisl lacinia dictumst justo sagittis luctus vestibulum sed quisque.
[youtube https://www.youtube.com/watch?v=bPh0kfMRIFA]
Potenti fusce himenaeos hac aenean quis donec vivamus aliquet, wprdpress integer inceptos curae sollicitudin in class sociosqu netus, euismod tempus fermentum odio gravida eleifend viverra pulvinar inceptos ligula consectetur. Potenti ante porttitor tristique curae scelerisque tristique, dictum eu donec conubia sit rutrum duis viverra in commodo.

Infinity Uk presents Libra Affair Blue and Yellow Edition 2025

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admin

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Infinity Uk presents Libra Affair Blue and Yellow Edition 2025

Gospel Explosion 2025 – A Night of Praise, Power & Caribbean Gospel Energy

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Epik Jones

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Gospel Explosion 2025 – A Night of Praise, Power & Caribbean Gospel Energy

Broadway Theatre, Catford – Saturday 4th October 2025

gospel explosion 2025 London — gospel explosion 2025, London

South London came alive on Saturday night as the Broadway Theatre in Catford hosted Gospel Explosion 2025 — an unforgettable evening of worship, Caribbean gospel flair, and powerhouse performances. This was powered by Harmony Productions and Another Level Promotions. Backed throughout the night by the ever-tight Eddie’s House Band, the event blended new talent with seasoned international acts, creating a worship experience that truly lived up to its name.

Opening with Coco Dupree

The evening began with Coco Dupree, who confidently stepped out from her history as a background vocalist to command centre stage. Delivering smooth gospel R&B vibes with songs like “Say Aah” and “He Done It”, Coco’s soulful voice and heartfelt ministry immediately set the atmosphere. Her presence showed growth, artistry, and a sense of ownership that warmed the South London crowd.

Imrhan – Urban Gospel Fire

Fresh off his recognition as Premier Gospel’s Best Newcomer and his transition from the Lotto Boyz collective, Imrhan brought a refreshing variety to the stage. Mixing rap and testimony, he energized the theatre with tracks like “Nice With Christ”, “This Year Blessings”, “Heavy”, and a clever gospel flip of Masicka’s “Scripture & Bible”. His urban gospel edge connected strongly with younger fans, setting the tone for variety and innovation.

Natalie Okri – From Britain’s Got Talent to Gospel’s New Sensation

Known to many for her childhood appearance on Britain’s Got Talent, Natalie Okri has blossomed into one of the UK’s brightest gospel newcomers. Wearing a vibrant outfit that matched her radiant energy, she shared new material like “Lord Have Mercy” alongside her viral track “Blessings” and fan-favourite “In With the New”. Okri’s set reflected her journey from pop culture fame to purposeful gospel artistry, proving why she is one to watch on the UK gospel scene.

Roger Samuels – South London Worship Leader

A finalist from The Voice UK and a local South London favourite, Roger Samuels, turned the Broadway Theatre into a house of devotion. With commanding vocals and heartfelt worship, he led the audience through songs like “Bless Your Name”, “Single Minded”, “Waiting on Jesus”, and “You Will Rise”. The entire theatre rose to its feet, hands lifted high, as Roger’s passionate delivery built into an electrifying worship session that left no one untouched.

VaShawn Mitchell – Gospel Excellence from the States

All the way from Chicago, Grammy-nominated gospel star VaShawn Mitchell blessed the stage with both classics and fresh anthems. Known globally for hits like “Nobody Greater”, Mitchell enriched the night with songs from albums such as Chapter X, Elements, and Unstoppable Live. From “Chasing After You” to “Make a Way” and “Wind of God”, his set was both uplifting and interactive, demonstrating why he remains one of America’s most celebrated worship leaders.

Let’s Go Gospel Lewisham Choir

Adding a rich community touch, the Let’s Go Gospel Lewisham Choir delivered harmonies and energy that embodied the collective voice of London gospel. Their presence underscored the night’s theme of unity, local talent, and cultural heritage.

Sherwin Gardner – Caribbean Gospel Powerhouse Closes the Night

The finale belonged to Sherwin Gardner, the Trinidadian gospel pioneer whose hit “Find Me Here (Blessings Find Me)” has gone viral worldwide. A veteran of the Caribbean gospel movement, Gardner filled the theatre with vibrant soca-infused praise. Performing new tracks like “Proud of You”, “My Blessing”, and “Over Me” alongside timeless worship choruses, he had the audience jumping, waving, and dancing. With exhortations to remember that he “never walks alone but with the Father, Son, and Holy Ghost,” Gardner’s high-energy set perfectly sealed the night with joy, movement, and celebration.

Conclusion

Gospel Explosion 2025 was more than a concert — it was an experience of worship, culture, and unity during Black History Month. From soulful R&B grooves to urban gospel rap, from Caribbean soca praise to traditional worship anthems, the Broadway Theatre crowd left filled with satisfaction, praise, and blessing.

This was truly a Gospel Explosion.

Images by: @jiggadmedia

Noah Powa Gets Real: Life Lessons & Plans for His First Theatre Tour

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menissa08jules

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Noah Powa Gets Real: Life Lessons & Plans for His First Theatre Tour

Noah Powa talks about lived and learnt experiences.

Headline: His own Theater/Arena Tour “Noah Powa Gets Real:

Life Lessons & Plans for His First Theatre Tour” Noah Powa opens up about his journey from Kingston to New York, the lessons he’s learned in music and life, and the challenges he’s faced proving himself beyond comedy and DJing.

In this candid conversation, he shares the highs, the setbacks, and the resilience that shaped him, while giving fans a look at what’s next—including his first theatre tour.

Tune in for inspiration, motivation, and a deeper understanding of Noah Powa’s rise, fall, and triumphs in the dancehall scene.

#NoahPowa #Dancehall #Reggae #TheatreTour

Freedom Street Festival: Fans Speak on the Highs, Lows, and Once-in-a-Lifetime Vibes

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Epik Jones

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Freedom Street Festival: Fans Speak on the Highs, Lows, and Once-in-a-Lifetime Vibes

By Community Voices

The much-anticipated Freedom Street Europe edition has left fans buzzing — some calling it the “best festival ever,” while others pointed to flaws in organisation and execution. With headline performances from Vybz Kartel (via set tribute), Spice, Skeng, Dexta Daps, and more, the event clearly delivered unforgettable moments. But fans were equally vocal about what went wrong.

The Vibes: “Felt like I was back in Jamaica”

From the jump, the energy was undeniable. Many attendees praised the atmosphere, describing the festival as a cultural homecoming.

•“Freedom Street has felt like I am back in Jamaica. The vibes have been 10/10, despite the poor organisation.” – @ShanDainty

•“Freedom Street is the best festival I have ever been to hands down. Big up Vybz and the team because they did that!” – @sxv_nao

For some, it was more than just a concert — it was a reunion. “Seeing people at Freedom Street that I have not seen in yearssss. Real reunion,” wrote @XXVXIICXIII.

Standout Performances: Divided Opinions

While the vibes were consistent, reviews of the performances were mixed.

Dexta Daps, Spice, and Skeng emerged as fan favourites:

•“Dexta Daps’ performance was easily best at Freedom Street, then Tommy Lee, Kartel/Skeng, Spice can share 2nd.” – @CleanRas

•“Skeng and Kartel made me lose my mind last night. The performances. The vibes. The atmosphere. This is definitely a once in a lifetime experience.” – @tiandemi

But not all agreed. Some felt Kartel’s set fell flat:

•“That Kartel set yday was trash tho no shade. Hopefully he does the real Freedom Street set.” – @cocoupdate_

•“Freedom Street was flawless until it wasn’t — whoever’s idea it was to repeat Kartel’s set list needs a conk in their head.” – @r1m11c1

Organisation and Communication: “Flawless… until it wasn’t”

If there was one recurring complaint, it was around organisation, timing, and communication.

•“I genuinely can’t believe how good Freedom Street has been despite all of their disorganisation.” – @_AJC3

•“Freedom Street were shit with the social media communication but the actual festival has been FLAWLESS. You have to give them their flowers.” – @DeOne___

•“Freedom Street need to stop doing last min changes. Messing up my schedule.” – @iamuniquee

For some, the chaotic elements didn’t spoil the fun:

“Freedom Street owes me absolutely nothing — except my €17.86 left on my wristband and I WANT IT BACK!” – @HeWantsWealth

Community Spirit: “Worth it in the end”

Despite the hiccups, fans praised the crowd and the sense of togetherness.

•“Freedom Street was so worth it and I’m happy I went in the end. I loved that everyone actually knew how to behave as well.” – @MikezAFC

•“I had the best time at Freedom Street — from the girls I went with, to the artists I saw, to the people I linked up with that I haven’t seen in years.” – @kitathecomedian

Recommendations Going Forward

The fans have spoken, and their feedback paints a clear picture:

1.Better organisation & communication: Fans want earlier set times, clearer social media updates, and fewer last-minute changes.

2.Diverse line-ups & setlist variety: Repeated performances dragged down the experience for some; fresh, unique sets are essential.

3.Lean into the cultural reunion: What resonated most was the sense of community and Caribbean nostalgia — “Felt like being back in Jamaica” was a recurring theme worth amplifying.

4.Expand to new territories: Many fans now want a Jamaican edition featuring OGs like Buju Banton, Bounty Killer, and Shabba Ranks. “Now that the research has been done with having Freedom Street in Europe, I need Vybz and him management to do his big one again in JA with the OGs.” – @scw_yktv

Final Verdict

Freedom Street Europe was, by most accounts, a cultural milestone. Fans left with memories of a lifetime, even if some grumbled about disorganisation and DJ choices. The festival reminded many of home, gave others long-awaited reunions, and showcased the enduring global pull of dancehall and reggae culture.

Or, as one fan put it simply:

“If you never went to Freedom Street (and it’s your type of thing), you lacked. Massively.” – @its_notlayla

Old School Obession

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admin

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Winter Wonderland All White Edition 2025

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katty-rose

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Winter Wonderland All White Edition 2025

D’YANI Muse Acoustic Show Review – Sunday, September 14

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Epik Jones

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D’YANI MuseAcoustic Show Review – Sunday, September 14

D’yani Acoustic Show Review – Sunday, September 14

On Sunday, September 14, fans filled an intimate venue on Great Portland Street, directly opposite the tube station, for a special acoustic evening with D’yani called Muse. The location offered easy transport access, with a welcoming bar at the entrance and a covered space that kept guests dry from the rainy weather.

The Atmosphere

The night began with DJ Stylah and Slow Jamz Boss, who set the mood with old-school reggae and dancehall classics. Their curated selections carried nostalgia while responding seamlessly to the crowd’s energy—smooth transitions, minimal chatter, and maximum vibes.

The audience—predominantly women—pressed close to the stage, creating a vibrant intimacy. Sing-alongs and spontaneous moments of joy turned the evening into more than a concert; it felt like a community celebration.

The Performances

Striker Opens the Show

Striker kicked things off with confidence, showcasing the experience of a seasoned performer. Known for his viral TikTok track, he kept the crowd engaged, on point, and ready for the night ahead.

Alpha Man

Also known as One Alpha Man / One Alpha Male, Alpha Man followed with raw energy and growing star quality. His rendition of “She’s Royal” was an instant highlight—transforming the room into a unified chorus. The momentum lifted further when he invited Queenie to the stage, whose fiery performance elevated the set even higher.

D’yani – The Headliner

Then came the moment everyone was waiting for. Backed by the Hard Drive Band, D’yani stepped out in a sharp green suit, bouquet of flowers in hand, immediately setting a romantic tone. From the first note, his vocals were impeccable—matching the polish of his recordings while also shining in acoustic a cappella moments.

He adapted lyrics to the setting, avoided profanity, and delivered a performance so tight that many in the audience said they’d happily pay to see him again. The only thing missing, perhaps, were meet-and-greet tickets, which would have been a perfect addition for such an intimate night.

As expected, the women in the audience knew every lyric, turning large sections of the show into karaoke-like celebrations. At one point, D’yani leaned further into the connection, removing his shirt to a wave of excitement, yet maintaining flawless vocal delivery.

Closing with his anthem “Muse”, he left the room electric. The crowd—made up of 95% women along with familiar faces from City Splash, Bagga British, and industry DJs—wasn’t ready to let him go, chanting for more.

Strengths & Highlights

•Programming & Flow: Smooth set transitions, no wasted moments.

•Audience Connection: Sing-alongs, intimacy, and direct serenades amplified engagement.

•Venue Fit: The compact space was perfectly aligned with the acoustic atmosphere.

Review Contributions from Bampson & Angel Covergirl

Spice Malta Night 3 – The Night It Was

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Epik Jones

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Spice Malta Night 3 – The Night It Was

Spice delivered a once-in-a-lifetime performance on Night 3 in Malta, proving once again why she reigns as the Queen of Dancehall.

After a powerhouse warm-up from her tour DJ, Richie Feelings, who had the crowd roaring with “Unuu ready for the Queen of Dancehall?”, the atmosphere exploded. The riddim for “Goat” dropped and, on a revolving platform, Spice made her grand entrance. Masked as a goat, she danced atop the stage, and the roar from the crowd was deafening — VIP fences shook like the national stadium after a World Cup goal, horns blared, and screams of “We love you, Spice!” echoed across Freedom Street.

Soaking it all in, Spice paused — smiling, shocked, and humbled — before thanking her fans. Then came a barrage of hits: “So Mi Like It”, “Needle Eye”, and a daring moment where she invited men from the crowd to slowly undress her white outfit, revealing her signature blue beneath. The stage heated up further with a dance competition, featuring men from Nigeria, London, and Jamaica. Each gave a strong showing, but Jamaica’s mix of theatrics, charisma, and acrobatics stole the win.

Spice powered through “Indicator” before slowing down to acknowledge the diverse, all-ages audience. She saluted her day-one fans with throwbacks like “Fight Ova Man” and “Jim Screechie”, which transformed the venue into a choir of voices singing every word. She then transitioned into new material from her Mirror 25 album, speaking proudly about her longevity and resilience in a male-dominated industry.

There were special moments for the women, too. After performing “Genie”, a personal favorite, Spice invited female fans on stage to showcase their moves. Her dancers matched the moment with multiple costume changes throughout the night, each theme building fresh excitement.

When the show turned to her famously bold side, Spice opened up about sexual freedom, playfully teasing boundaries before dropping “Hell No”, followed by her unapologetic anthem: “No woman face should be no toilet fi piss or shit inna!” The crowd roared approval. She then unleashed “Chair”, complete with stage props and a sizzling routine, while her female dancers sparked an international dance-off featuring participants from French Guiana, Bermuda, London, Birmingham, Jamaica, Germany, France, and more — Malta’s diversity on full display.

Spice Malta Night 3 – The Night It Was Freedom Street

The energy didn’t stop there. A Spice song-singing competition saw fans belt out her classics in true Spice style: one with “Jim Screechie”, another with “Fight Ova Man” — and then came the shocker. The final contestant dropped “Love Triangle (Blac Chyna)”, and the venue erupted into frenzy, forcing Spice to extend her set list and perform it on the spot, earning massive forwards.

As the night built to its climax, Spice dropped a blazing run of anthems — “Dumpling”, “Go Down Deh”, and finally, the crowd-favorite “Cool It”, which had the audience chanting long after she left the stage. It was a royal performance, powerful yet intimate, playful yet commanding — the Queen in full control.

And just when fans thought it was over, Spice returned for an encore — three songs with Vybz Kartel, complete with another wardrobe change, sealing the night as one of Malta’s most unforgettable dancehall experiences.

Ta’Qali Stadium, Malta Freedom Street – Night 2

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Epik Jones

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Saturday, September 13 – Ta’Qali Stadium, Malta

Night 2 of Freedom Street Festival carried the momentum forward with high-energy performances, surprise moments, and a legendary headliner that stamped history in Malta.

DJ Dynamic & Juvey – Setting the Pace

The evening began with DJ Dynamic and host DJ Juvey, who kept the stadium lively for over an hour. Juvey’s stage command and natural crowd engagement made him stand out as a rising star, steering the audience like a seasoned professional.

Jada Kingdom – The EastSyde Queen

The stage was set for Jada Kingdom, introduced by her tour DJ Tech and a dancer on the pole. She made a grand entrance with G.P.P., instantly captivating the Freedom Street crowd.

Interacting throughout with her loyal Twinkle fans, she ran through a strong catalogue: Top Tier, Dickmatized, Which Gyal, Feelings, Only You, Heavy, and Shake. Jada didn’t hold back—dropping diss bars from London Bed aimed at Stefflon Don, which drew an explosive reaction.

She continued with Can’t Tell Me That, Gen Z Rebel, Big Buddy Whats Up, Turn Me On, and G.A.D., sealing her status as the EastSyde Queen. While there were slight distractions with outfit adjustments and what seemed to be in-ear audio issues, her vocal delivery remained sharp, clear, and precise. Even with hints, she could have gone longer. Jada Kingdom officially ignited Night 2.

Skeng – Dancehall Rockstar Energy

Freedom Street erupted when Skeng entered in dramatic fashion—rolled onstage strapped to a trolley, acting the role of a psychiatric ward patient. His energy was unmatched as he tore into Street Cred, Gang Bang, Curves, Taliban, Likkle Miss, and Sha La La.

Mid-set, Skeng welcomed Shaneil Muir, who gave a commanding performance of Expensive, Paradox 1 & 2, Ride It, Top Gyal, Exclusive, Hype & Boasy, Naturally, 3D, and her collaboration Ride It with Vybz Kartel. She exited on a high with Yamabella, leaving the crowd buzzing with admiration for her vocal strength and control.

Skeng returned in fresh attire, raising the tempo once more with 23, London, Heaven Passport, Good Deeds, Gvnman Shift, and his anthem Protocol. He closed with Life Changes, proving why he’s hailed as a true Dancehall Rockstar.

Vybz Kartel – The King Commands the Stage

The stadium exploded as Vybz Kartel, the World Boss himself, made his entrance to the sound of Street Vybz Rum. For 30 minutes, he dedicated anthems to the ladies—Ever Blessed, Tun Up Di F**k, Wine Up, Bend Like Banana, Come Home, In Stock, Virginity, and Ramping Shop, among others.

Shifting gears, he saluted the thugs with tracks like We Nuh Fraid, Last Man Standing, and Send a Hell. In true Kartel fashion, he worked in witty social commentary, poking fun at Ryanair flights and social media chatter, before giving the crowd timeless classics: Summertime, Miami Vice, Fever, Clarks, Beg Yuh a F*k, U & Him F*k, Love Dem, Nah Let Go, Go Go Club, Story Book, Bicycle, and Straight Jeans & Fitted.

The energy peaked when Kartel called Ishawna on stage. She delivered Restraining Order and their fresh collaborations Woof and Porn Flick—the cheeky line “Scatta don’t look” sparking loud laughter and cheers. After Ishawna’s exit, Kartel powered through more fan favorites before closing with God Is the Greatest, leaving the crowd emotional yet satisfied.

He reminded fans that Spice, Tommy Lee Sparta, and more were set for the festival’s grand finale, building anticipation for Night 3.

Verdict: Night 2 of Freedom Street Festival was a thrilling ride—from Jada Kingdom’s EastSyde charisma to Skeng’s theatrical chaos and Shaneil Muir’s commanding vocals—all crowned by an unforgettable performance from King Vybz Kartel.

Freedom Street Ta’Qali Stadium, Malta Night 1

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Epik Jones

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Friday, September 12 – Ta’Qali Stadium, Malta

The inaugural night of the historic Freedom Street Concert Festival opened in fine style, setting the tone for a weekend of world-class reggae and dancehall.

Saxon Sound Foundation

UK legends Saxon Sound, represented by Shawn Muscle with hosts Kal-I and Big Man Zest, warmed up the venue and established an authentic sound system energy. Their selections and hosting created the perfect pace for the night ahead.

Kranium – Smooth First Act

Following the intermission, Kranium officially opened Freedom Street Malta. Arriving with his tour DJ, he set the vibe immediately with Nobody Nuh Fi Know. Technical challenges were evident early, as he pointed out the lack of monitors, quipping: “Me can’t hear nothing out yah so.”

Adjusting quickly, Kranium centralized his performance, blending acapella transitions with full-stage presence—showcasing tactical showmanship. Through storytelling, he shared insights on his journey into music while delivering fan favorites such as Sit Down, Last Night, and We Can.

He balanced lovers’ anthems with street hits like Higher Life, while demonstrating his vocal range and falsettos. A playful moment came when he invited a woman from the crowd to join him, acting out the sensual themes of his music. Kranium closed his set with Lifestyle and a piece of History, officially christening Freedom Street Festival’s first night.

Shenseea – Star Power & Stagecraft

Next, Shenseea stormed the stage to Blessed, accompanied by her dancers in vibrant choreography. Though her microphone levels initially seemed low against her DJ and backing tracks, the energy soon synced as the crowd sang along.

Her performance was a blend of bold conversations about relationships and sexuality—highlighted in songs like Foreplay and Rebel—and dazzling stage routines. Her falsettos shone on Lighter and Hit & Run, while Shake It to the Max and Murder electrified the audience, climaxing in a multi-national women’s dance-off on stage.

Shenseea navigated through her impressive catalogue, from juggling riddims to international chart-toppers, giving Malta a full showcase of her artistic evolution. Though the audience craved more, her set left them deeply satisfied.

Dexta Daps – The Closer with Command

Closing out Night 1, Dexta Daps entered with explosive energy, pulling up Shabba Madda Pot before launching into anthems for the ladies—Forever, Twinkle, Call Me If, and Breaking News. His dancers added flair, complementing his dynamic stage presence.

He connected personally with the crowd, admitting he was allocated 75 minutes but wished for three hours, acknowledging fans who traveled from far. Balancing sensual tracks with gritty rude boy anthems like Leader, Squeeze, and Flight Mode, Dexta kept every demographic engaged.

With humor and banter, he declared Malta his new romantic adventure, weaving it into performances of Mi C Mi Bed and Miss U. The venue was alive with women screaming, men being pulled into dances, and phones recording every moment.

From No Underwear and Owner to the throwback 7Eleven, Morning Love, and Slavery, Dexta pleased both longtime fans and new listeners. His tribute segment honored legends like Shabba Ranks, Bounty Killer, and Vybz Kartel before dropping Masicka’s Whites and returning to Shabba Madda Pot to thunderous approval.

Dexta Daps closed with gratitude, leaving Malta charged and fulfilled, cementing his role as the perfect headliner for Freedom Street’s opening night.

Verdict: Night 1 of Freedom Street Festival at Ta’Qali Stadium was a masterclass in dancehall showmanship—from Kranium’s smooth tact and Shenseea’s commanding star power, to Dexta Daps’ unforgettable, high-energy closing set.