The process of getting a movie off of the ground is a lengthy endeavor, with casting standing out as one of the essential elements of the process. Simon Doe has his tongue planted in his cheek as he describes the fictional skills of his advancing agent.Praesent iaculis, purus ac vehicula mattis, arcu lorem blandit nisl, non laoreet dui mi eget elit. Donec porttitor ex vel augue maximus luctus. Vivamus finibus nibh eu nunc volutpat suscipit. Nam vulputate libero quis nisi euismod rhoncus. Sed eu euismod felis. Aenean ullamcorper dapibus odio ac tempor. Aliquam iaculis, quam vitae imperdiet consectetur, mi ante semper metus, ac efficitur nisi justo ut eros. Maecenas suscipit turpis fermentum elementum scelerisque.
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“Simon Doe has his tongue planted in his cheek as he describes the
fictional skills of his advancing agent.”Steve Kowalsky
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[youtube https://www.youtube.com/watch?v=bPh0kfMRIFA]
Potenti fusce himenaeos hac aenean quis donec vivamus aliquet, wprdpress integer inceptos curae sollicitudin in class sociosqu netus, euismod tempus fermentum odio gravida eleifend viverra pulvinar inceptos ligula consectetur. Potenti ante porttitor tristique curae scelerisque tristique, dictum eu donec conubia sit rutrum duis viverra in commodo.
Last Thursday night, Saint Lucia took the spotlight in the UK’s financial capital. The temperature in London Blackfriars peaked in a warm November, on the 12th Knot Rooftop of Sea Containers. The theme was business chic, as the Saint Lucia Tourism Authority (SLTA) brought together creatives, global stars, travel industry professionals, cultural educators, and patrons of Saint Lucia to mix and mingle over conversation, wine, hors d’oeuvres, and cocktails.
Why, you might ask? In just six months, the Saint Lucia Jazz & Arts Festival will draw patrons to the island, where the arts will welcome visitors to pour into Saint Lucia’s economy — and the hearts of its communities.
And why London? Following London’s World Travel Market, what better place to announce the inclusion of one of the UK’s most celebrated and enduring musical performers — Beverley Knight, MBE. The MOBO and Olivier Award-winning artist attended the evening and expressed her excitement for her forthcoming performance at the Saint Lucia Jazz & Arts Festival 2026. Knight’s inclusion was announced alongside that of Grammy Award-winning Nigerian singer Tems and Saint Lucia’s own musical icon, Ronald “Boo” Hinkson.
Also present on the night was Saint Lucia’s Olympic champion and Tourism Ambassador, Julien Alfred, whose warm charisma and pure spirit mirror those of so many Saint Lucians. The island’s people truly are its greatest asset. Saint Lucian entrepreneurs and creatives of the diaspora were in attendance, including Laura Henry-Allain, MBE, Tanya Edwards, Annaliese Dayes, and Curmiah Lisette.
With the SLTA aiming to further promote community tourism and Saint Lucia’s creative industries, there is hope that momentum will continue to build — honouring grassroots initiatives that provide lasting development for local artisans and foundational cultural education for Saint Lucia’s people. Tourism, especially during times of global tension, requires earnest storytelling, a nation of people who know their roots and their power, and perspectives that nurture connection. After all, the travellers Saint Lucia seeks to attract for community tourism to flourish are those who wish to learn and honour culture — not those vulturous of it. Those who come for her story, to find or see themselves in it; to understand our unique yet shared history; or to embrace our difference, found in our Kwéyòl identity.
Hosted by Jazz FM’s Tony Minvielle, the evening featured speeches from SLTA Chairman Thaddeus Antoine and CEO Louis Lewis, who hinted at the island’s growing reputation as a wellness destination, alongside its already striking allure for romance, adventure, the arts, and its vibrant Kwéyòl culture.
Together with SLTA’s Director of Global Marketing, Dexter Percil, Alfred selected a lucky winner for SLTA’s raffle — two tickets to Saint Lucia via British Airways from London Gatwick, with on-island transfers, five nights at The BodyHoliday, and even a stop for local bread along the Micoud Highway in Thomazo.
Boo Hinkson and Christa Bailey wound down the night with smooth and sultry jazz renditions and up-tempo sounds of the Caribbean that drew the crowd front-stage in gentle waves of two-step and singalong, fostering genuine connections on this night of networking.
The Saint Lucia Jazz & Arts Festival 2026 will run from April 30th to May 10th. Tickets go on sale in January 2026, with more stars yet to be announced for its celebrated themed nights — Opening Night, Kingdom Night, Pure Jazz, World Beats, Caribbean Fusion, and The Ultimate Celebration, as well as its dynamic Arts & the City programme.
In Our Sight: Skip Marley Channels Unity, Roots, and Hope in a Time of Division
When inspiration strikes, there’s no denying its power. For Skip Marley, that spark came the moment he stepped into the studio and connected with a riddim that felt like home. Drawing from the timeless energy of classic reggae — from “Love and Happiness” to “Satta Massagana” — he crafted a song that speaks to the struggles and spirit of today. With guidance from Jah and production magic by Supa Dups, In Our Sight stands as a reminder that strength, unity, and hope can still rise through the noise. This is roots reggae, bold, conscious, and spiritually charged.
1. What was the initial spark or idea behind the song—what inspired you to write it?
I walked into the studio one day and instantly connected with the riddim — it reminded me of the reggae I grew up listening to. From that moment I knew I wanted to write something that reflects our time — where people need to feel strength, unity, and hope. The world is facing so much storm and division, but if we stand together, side by side, victory is within our sight. All things are possible when we uplift each other and keep believing that the time is now- because if not now then when?
2. How did the lyrical concept evolve from first draft to final version?
Well I feel the song was what it was from the beginning. I got the inspiration- JAH send me a message to put out there so we just follow that all the way through.
3. Did any personal experiences or emotions fuel the songwriting process?
Like I said, the reality of the situation is people a bomb people ,and people just a watch and feel like they can’t make the change. Well I feel we have to be the change. Is we must change the times.
4. How did you choose the musical style or production sound for the track?
Well Supa dups had a batch of riddims, and from the “love and happiness” to the “satta massagana” to the Dennis Brown samples play it did grab my ears immediately. It had the feel, the guitar hit me right away. I could feel the rhythm of the old days but speaking to today. Working with Supa Dups, we dialed in sounds that reference classic reggae but kept the production crisp for 2025. I wanted the listener to feel the roots, hear the generation before, and still feel like this is our time. The sound had to match the message: strength, unity, victory in our sight.”
5. Were there any songs, artists or genres that influenced you while making this record?
Just reggae music itself, you know. Reggae is the peoples music; the voice of the sufferer, the ones before that paved the way. The food for the spirit.
6. What was the recording process like—was it smooth sailing or did you face unexpected challenges?
It was smooth sailing. We just feel the music and follow through with the spirit of it, and the words flowed.
7. What was your favourite moment or memory in the studio while making this song?
Several moments- when I first heard the riddim, and when I heard it after the chorus idea- it just did have the right feel. The moment we finished, and I knew we kept true to that same vibe all the way through. I just felt that we did a good job.
8. How did you approach the concept for the video—who came up with the idea, and how did you collaborate on it?
We wanted to show the reality of the situation. The consequences of those who continue to act for self instead of for the people. We show what is against us, that we need to band together. We need to be one against the injustice, against the downpressors. Big up Ruption and the team because they helped bring it to life. Couldn’t do it without the crew.
9. What were the most fun (or funniest) moments during filming the video?
Playing chess versus myself. I really liked that concept. I feel like it captured the vibe of the tune.
10. Were there any moments in the video shoot that surprised you or forced you to improvise?
When we were shooting on the roof the timing was perfect. We caught the setting sun on the horizon as we were capturing the last parts of the video, and the view of the landscape tied it all together.
11. How do you feel now hearing the final song and video side by side—did anything turn out differently than you imagined?
Well, I feel good about how it turned out. I am more interested in hearing what the people feel when they get it.
12. When you perform this song live for the first time, what kind of reaction are you hoping to get from the crowd?
The first time I played it there was a great reaction from the people. An energy surged through the place, and the spirit was all around.
13. Do you imagine a specific moment in the show when this track will shine, and how do you expect the audience to respond?
Skip Marley in our sight
I expect them to dance and enjoy the show. At the same time, we really want them to get the message, take it with them into their own lives and live up.
14. How important is it for you to connect with the audience emotionally (or physically) through this song—what do you hope people take away?
The reality of the power of unity, the power of our voice, the power of how is wemake the world go round, not the other way round.
15. What’s next for you with this release—are there remixes, alternate versions, or video-concepts you still want to explore?
Lots of possibilities- might drop a remix, or maybe go acoustic. I have a next video coming that might be a “part 2”- just have to stay tuned and see! Bless.
From playing chess with himself in the music video to capturing a perfect sunset on the rooftop, Skip brings the message full circle — reflection, resilience, and renewal. As he prepares to perform the song live, he’s less focused on the applause and more on the awakening it might spark in listeners. “It’s about unity,” he says. “It’s about knowing that the time is now — because if not now, then when?”
For years, I had heard about The Powerlist, that revered list of Black Britons who occupy positions of serious influence, shaping culture, commerce, and policy across the UK. It always seemed like an elite circle, a world that existed behind heavy wooden doors I’d never be invited to open. Rooms filled with people whose names carried weight, whose decisions shifted industries. Rooms I didn’t imagine myself standing in, much less belonging to.
The Power of Proximity: Inside The Powerlist Gala
That changed in 2023 when a long-time supporter and sponsor extended an invitation. They had watched my journey – seen me breaking through barriers and championing a vision of leadership that was not only diverse but sustainable. My focus has always been clear: representation isn’t just the right thing to do, it’s smart business. That invitation became a moment of recognition, an entry point into a world I had long admired from afar.
The Power of Proximity: Inside The Powerlist Gala
I remember walking in for the first time feeling both inspired and humbled. For years, I had assumed that such gatherings – celebrations of Black excellence on a national scale – only existed in the United States. Yet, as I looked around that London ballroom, I realised something powerful. I hadn’t been excluded from these spaces; I had simply been too busy doing the work to look up and see the thriving, interconnected network of Black excellence already here in the UK. Now, I am honoured to be part of that circle.
The Power of Proximity: Inside The Powerlist Gala
To me, The Powerlist represents the best of what happens when talent meets purpose. It is not just a celebration of individual achievement but a reflection of an ecosystem – a living network of professionals, creatives, and entrepreneurs who understand that real change only happens when we all play our part. From corporate boardrooms to creative studios, from policy-making halls to start-ups, each person contributes to a larger mission: driving systemic change that lasts.
This year marked the 20th anniversary of this remarkable celebration of Black British brilliance – a testament to legacy, excellence, and community.
The incomparable Afua Kyei, CFO of the Bank of England, was named the UK’s most powerful Black person. I would go further and say she is one of the most powerful women in Britain, full stop. Her story resonated deeply with me: a woman who refused to be confined by expectation, thriving across boundaries in a world that often demands that women of colour choose one lane. She has redefined what it means to lead and reminds us all that strength and grace can coexist.
The Power of Proximity: Inside The Powerlist Gala
Another standout honouree was Kanya King CBE, whose grace and humility continue to move me every single time. A quiet force with a loud legacy, Kanya has shaped culture for decades, giving voice and visibility to so many who came after her.
The Powerlist Gala is not simply an event – it is a moment of reflection and renewal. A celebration of collective progress. A recharging of energy for the work that lies ahead. Because while we pause to celebrate how far we’ve come, we know that there is still more to do.
We’ve seen the images, heard the cries,
All connected — with or without ties.
Devastation, crisis, pain and loss,
The Melissa invoice came at heavy cost.
Yet the Jamaican spirit — Out of Many, One People — stands tall,
With donations and love delivered to doorsteps for all.
Jamaica, Jamaica — we all feel this pain,
From hillsides and highways to every humble lane.
We’ve heard the gratitude of life still spared,
The faith, belief, and love that show we cared.
With unity and hope, we’ll rebuild what was torn —
For every dark night, a brighter day is born.
Melissa – The Storm, The Spirit Storm
Melissa broke infrastructure, homes, and hearts,
But Jamaicans are resilient — we restart.
The worldwide support gives reason to believe,
That our strength and spirit will never leave.
So thanks to all — elected, selected, volunteers, celebs, and donors —
We greet hard times with smiles — we are destiny’s owners.
Shareholders, stakeholders, with courage that never tears,
Melissa didn’t break Jamaica — she reminded us the world cares.
The film opens with a striking image of a working-class mother in a laundromat, grounding the story in the everyday struggles of immigrant life. Subtle details hint at a setting that feels both nostalgic and modern — postcards featuring ackee suggest a time past, while the inflated prices in the corner shop reflect the realities of today, or perhaps even a near future.
Her children, fully adapted to British culture, wear England football jerseys and wave flags with pride as the national team takes the pitch. This contrast between generations highlights the tension between cultural assimilation and ancestral identity.
Ackee and Saltfish worlmag review
The mother’s attempt to prepare the traditional dish ackee and saltfish becomes a symbolic act — a tender effort to reconnect her family with their Jamaican roots. Through her, we see the struggle of holding on to one’s heritage while living in a society that often encourages forgetting it.
Ackee and Saltfish worlmag review
There are, however, some storytelling gaps that leave the audience with more questions than answers. A few scenes could have been omitted, while others — particularly those tied to Jamaican cultural pride — might have benefited from deeper exploration. Still, as a directorial debut, these shortcomings are forgivable.
Ackee and Saltfish worlmag review 3
Ultimately, Ackee & Saltfish succeeds in conveying a universal truth: food is more than sustenance — it is memory, identity, and connection. The film reminds us how migration can sometimes create a disconnect between generations in behaviour, mannerisms, and cultural awareness, yet also how shared traditions like a home-cooked meal can bridge that gap.
Macy – Also known as Macyy Jadee, I am half English, half Jamaican
From stealing her dad’s phone to play with a DJ app as a child, to going viral during lockdown with a mix that racked up 20,000 views, Macyy Jadee’s journey is the definition of humble beginnings with unstoppable ambition. The Manchester-born, half-Jamaican, half-English powerhouse has transformed her love for music into a career that has already taken her to Notting Hill Carnival, BBC Radio, and international stages in Miami, Malta, and Tenerife. Known for her unpredictable sets, blending soca with everything from funky house to dancehall, Macyy Jadee has quickly become one of the most exciting female DJs representing the Caribbean sound in the UK and beyond.
Macyy Jadee
What first drew you to DJing, and what was the moment you decided you wanted to pursue it seriously?
Djing was always a hobby for me. When I was younger, I used to steal my dad’s phone because he had a DJ app on it. I had no idea what I was doing, but I would spend hours on it. One day in lockdown, I released a mix for fun, and it went viral with over 20,000 views. A club saw it and then booked me to have my first ever DJ set, from there the bookings were rapidly picking up, and I had no choice but to take it seriously!
Can you share a vivid memory of one of your humble beginnings—maybe your first gig or a DIY setup that didn’t go as planned?
I remember during lockdown, I used to do live streams, DJing. I look back on some of the videos and cringe. I had no idea what I was doing or how anything worked. I was just winging it because I genuinely loved being behind the decks. It’s great to be able to see the growth from then to now!
Macyy Jadee
How did Manchester shape your sound, and what’s unique about the SOCa scene there?
Unfortunately, the soca scene is still quite small in Manchester, compared to where I would personally like it to be. It definitely works in my favour as I use it as an opportunity to educate and get creative. I always think about what song the crowd knows, then make a mash-up with soca lyrics on a familiar beat. It keeps the crowd moving while learning new songs, and I also get to play my favourite soca songs, so it’s a win-win for everyone! I think that’s where my love for being unexpected in my DJ sets has come from. Mixing the most random songs and watching the crowd’s reaction makes me laugh. I would like to think my sets are unpredictable, and hopefully I can keep it that way.
What challenges did you face early on—was it gear, budget, or opportunity?
I think my hardest challenge has been breaking the stigma around female DJs. It’s something that I am still fighting even 4 years into my DJ Journey. I have even been shouted at in clubs by security for being in the DJ booth as I’m setting up my equipment for my set. I definitely feel like I’m constantly having to prove myself and that I have been booked, whether that’s having to pull my DJ laptop out of my bag to show that I’m here to work and not just trying to get into the club for free, or showing my social media that says I’m a DJ. It’s definitely tough, but I just hope I go through all of this so other female DJs don’t have to.
Macyy Jadee
Do you remember the first track you ever mixed live? What was it, and how did it go?
Oh wow, I remember when I first started DJing, I used to play Funky House, Garage, and Bassline. I was DJing at a house party and mixed dancehall with house, and the crowd was literally screaming and jumping. I think that’s when I realised I can take DJing wherever I want to go with it, and the opportunities are endless
You’ve done some exciting mixes—from Soca for Notting Hill Carnival to BBC Radio mixes—what’s your mindset going into those big moments?
I always get so nervous, even now! I do spend months preparing, whether that’s researching, listening to podcasts, talking to DJs, I always make sure I am overprepared. I just try to enjoy it. I always DJ better when I’m having fun, so I try not to take my sets too seriously!
Macyy Jadee
Who were your early support systems—fellow DJs, friends, mentors?
Aw my friends and family were and still are the best. There are too many to name, but I’ve always been blessed to be surrounded by the most amazing people who make me feel like nothing is impossible. Special mention to Morgan, Ros, Thaiyana, and Ravel. I wish everyone to have friends as good as mine because never in my life have I had people support me as much as they do. They probably don’t realise how much they have contributed to my DJ Journey and my growth. They even fly out to come and support my international sets. It’s always scary abroad, but having that familiar face next to you enjoying themselves helps me more than they will ever know. My family has always been supportive! My dad even bought me my first DJ decks because he saw how much I love the DJ app on his phone, haha.
How do you approach curating a SOCa set—what connects all the tracks and keeps people moving?
If you have ever seen me before a DJ set, first of all, apologies! I go into this analysing mode. I will always go hours before my set, watching the crowd to see which songs they like/don’t like. Listening to the DJs to make sure I don’t repeat songs – as that is my biggest pet peeve!! Most of my sets, I don’t go in with a plan of what I’m going to play; I just work off of the crowd’s energy. I love when people are wearing the flags and repping their country because then I can play music from their island, make them feel at home, that’s my way of building a bond with the crowd. Once that bond is built and they trust you, you can start with educating them on some songs they may not have heard!
Macyy Jadee WorlMag Feature
What’s an unexpected track or genre you’ve found blends well with SOCA—and why?
Has to be funky house! It works so well! It’s also my 2nd favourite genre after soca, so hearing them two together just makes me so happy. I grew up with both soca and funky house, so hearing them together gives me the best feeling of nostalgia. Plus, they both have the greatest instrumentals, so the crowd will always keep moving!
Describe that instant when you realized you were no longer just doing this for fun—you had truly “arrived.”
I feel like I’m still doing this for fun, so many bookings I have done and forgot to get paid! Money is just a bonus for me. I think a huge milestone for me was seeing my queue at 11:30 pm at my most recent event @mixupwithmacyyjadee. The doors opened at 11:00 pm, we had people queuing up at 10:00 pm, and the venue hit full capacity at 12:30 am. I had never seen anything like it in my life. I still to this day can’t believe that I did THAT. All by myself!
Macyy Jadee WorlMag Feature
What’s been your proudest milestone so far? Maybe playing with icons at Notting Hill Carnival?
Has to be my international bookings. Tenerife for Lvsh, Malta for Caribbean Rocks, and Miami for Miami Carnival. If you had told me when I first started djing that this is where I would be getting booked, I would have laughed! It still doesn’t feel real, and I’m truly grateful for the opportunities always. One of my proudest milestones was the first time I played at Notting Hill Carnival in 2023. I played for Flagz Mas Band. One of the biggest soca sounds in the UK with the best DJs! I had only been DJing for two years at that point, and Notting Hill Carnival was on my long-term goals list, so to achieve that at such an early stage in my career, but also at such a young age of 21, I was over the moon. I remember I cried the whole way home (a very long 5-hour journey back to Manchester) because I was so happy and grateful for the opportunity! So a huge shoutout and thanks to Kemoy, Latisha, and Flagz for making that happen.
Who are your biggest musical influences—within SOCa or outside it?
I learned a lot from DJ Cee B’s YouTube channel (@DJCee_B). He’s great to watch, especially if you are new to DJing. DJ Nate and English Fire – they have events all over the country and even internationally. I admire DJs who have set up their own successful events companies, Izzy Bossy and DJ Emz – huge pioneers for Female DJing. Machel Montano – One of my favourite soca artists and the singer of most of my favourite songs. A true visionary for soca music.
Macyy Jadee
Tell us about a mix or set that didn’t go as planned—and how you turned it around.
Technical issues are the worst. Power cutting out, Decks freezing, Music disappearing. I’ve had it all. It’s just one of those things that most of the time you can’t help. Just always have a backup for EVERYTHING, keep the crowd entertained, and stay calm.
What’s the most surprising reaction you’ve received from a set, whether in person or online?
One of my TikToks hit 5.5Million Views. It was just a simple mix that I uploaded to my private Snapchat story! I was lacking content, so I posted that video just for the sake of it. The next day I woke up and it had 1Million Views, and it has grown ever since and still is! I wouldn’t mind the mix, isn’t anything special, just a transition from one song to another. Just goes to show, don’t overthink content, just post!
Macyy Jadee
Beyond music, what drives you—what fuels your creative spirit and your hustle?
My environment 100% – I’ve always been surrounded by hard workers, so I think that’s something that has come naturally. Whenever I’m not working, I feel useless and try to stay as productive as possible. Also, being from Manchester, with it being such a small town, not many of us make it out. So, I really wanted to lead by example to other females, especially since it is possible.
What’s your go-to SOCa anthem right now—something that ignites you every time?
I have so many at the moment! I’m currently loving Jab and Vincy Soca. A few faves are Jab Decisions – V’ghn + Terra D Governor Whale Fu See – OG Park Rum Lawd Fraid Horn – Problem Child.
Macyy Jadee
If you could collaborate with any artist—SOCa or otherwise—who would it be and why?
Lady Lava! I love that she represents independence and strength for women in the Soca scene. I love her music, and it really stands out to me as a DJ, as every single one of her songs gets the crowd, especially the girls, moving. As women in the soca scene, the collaboration wouldn’t just be about music; it’s about being seen. When women come together, it shows future generations that there’s room for female voices, female energy, and female leadership in SOCA and the music industry.
How has your brand—or your personality—evolved as you’ve grown?
I’ve always been shy – I still am, but there was a point in time when you couldn’t have a conversation with me because I was that shy. It’s definitely something I’m still working on, but being a DJ has grown my confidence massively!
Macyy Jadee
What’s next on the horizon for you? Any exciting gigs, mixes, or projects coming up?
So much! I have a mix appearing on Radio 1Xtra for black history month, so I cannot wait for that to air. I also have City Splash, which is huge for 1. I’m also in the works for international bookings next year, so a lot’s in store!
Finally, what advice would you give to someone starting from “humble beginnings” and chasing their DJ dream in SOCA today?
Firstly, never let anyone tell you that you can’t do something. I am a huge believer that anything you put your mind to will be possible. Consistency is Key. In terms of being a Soca DJ, my best advice would be to never stop learning. Whether that’s the culture of different islands or the latest music. Soca is a genre that is constantly evolving, and you have to stay on top of the latest riddims. Finally, just put 100% into everything you do and every DJ set. Whether there are 10 people in the crowd or 10000. Do your best. You never know who is watching.
Macyy Jadee
As Macyy Jadee continues to break barriers and inspire the next generation of female DJs, her mission remains simple: bring joy, represent her roots, and prove that nothing is impossible with consistency, passion, and self-belief. With a 1Xtra mix on the way, more international bookings lined up, and her own event brand, Mix Up with Macyy Jadee, growing rapidly, the world is only just beginning to see what she’s capable of. One thing’s for sure—her sets will always keep you guessing, moving, and smiling.
After nearly a decade away, Chronixx’s return with Exile feels less like a comeback and more like a spiritual homecoming. Across 17 tracks, the album embodies the meditative calm of a “true Jamaican Sunday back in the day” — as one fan put it, filled with warmth, family, and the rhythm of everyday life.
The Sound: Roots Reborn
According to KaboomMag, Exile bridges the “golden age of reggae with a new era of consciousness,” grounded in live instrumentation and the organic feel of Studio One. The influence of Sault’s Inflo can be felt throughout: vintage textures meet modern soul, creating an LP that is both nostalgic and refreshingly experimental.
Reggaeville highlights the album’s “rub-a-dub backbone,” describing it as an intentional move away from commercial singles toward timeless musical expression. Tracks like “Sweet Argument”, “Saviour”, and “Family First” flow like sonic prayers — full of grace, patience, and meditation. One listener called it “therapy 🔥🔥🔥,” and that sentiment runs through the project.
Chronixx – Exile | Album
The Message: Peace Over Popularity
World Music Views noted that Exile captures a Chronixx who’s “no longer chasing charts, but chasing clarity.” That philosophy echoes in fan reactions: “He’s not aiming for hits cause he already proved that — he’s just playing how he wants to play.”
The album’s power lies in its restraint. On “Genesis”, Chronixx stretches the soundscape for nine minutes — unhurried, reflective, almost cinematic. “Keep On Rising” turns a simple lyric, “When the heathen a chat behind your back — keep on rising to the top,” into a mantra of perseverance.
Themes: Rastafari, Resilience, and Reflection
Tracks like “Saviour” and “I and I” reassert his faith, while “Pain In Your Heart” and “Resilient” speak directly to endurance. Reggaeville’s review describes Exile as “a deeply spiritual experience” that invites listeners to slow down and listen beyond rhythm. KP on X summarized it perfectly: “If you don’t connect with Rastafari, you might not get it… You have to open your heart to truly connect.”
The Impact: Timeless, Not Trendy
For long-time fans expecting the militant energy of Chronology or hits like “Skankin’ Sweet”, Exile takes a different route — one of serenity, self-awareness, and sound design mastery. It’s less about anthems and more about atmosphere. As World Music Views framed it, Exile is “Chronixx in exile from the industry, but in communion with his purpose.”
One fan called it “the best reggae album since Samory I’s Black Gold,” while another said simply: “This album is therapy.”
Verdict: A Modern Classic in Its Own Lane
Chronixx’s Exile isn’t an album that demands attention — it earns it slowly. It’s roots reggae without the commercial gloss, infused with jazz, soul, and Rastafarian mysticism. The melodies linger, the basslines pulse like meditation, and the message feels timeless.
Like Junior Rodigan said, your favorite three songs will probably change over the next two years — because Exile isn’t meant to impress; it’s meant to grow with you.
⭐ Rating: 9/10 – A meditative masterpiece that trades hype for heart.
A Night of Electric Energy: Ayetian Shines at Brixton Electric
Ayetian’s recent performance at Electric Brixton on October 10th was nothing short of exhilarating, showcasing the rising star’s undeniable talent, magnetic stage presence, and ability to captivate audiences with his infectious energy. From the moment he stepped onto the stage, Ayetian set the venue ablaze with a performance that left the crowd buzzing long after the final notes faded away.
Ayetian Live Performance Review
Entering the stage to his viral anthem “Tip” — featuring none other than Shenseea and Skillibeng (fresh off their own smash “Shake It to the Max”) — Ayetian set the crowd on fire from the very first beat. The energy was contagious as fans sang every line, and even Lady Leshurr couldn’t resist jumping on the wave, releasing her own version in tribute.
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Moving through his catalogue of Caribbean fan favourites, Ayetian gave the audience exactly what they came for — a vibrant mix of rhythm, charisma, and his signature slangs: “1 Gyal Everyday,” “Bounce,” and “Yo Natzz.” Each catchphrase sparked wild cheers and chants, proving just how deeply his lingo has embedded itself in Caribbean pop culture.
One of the standout moments of the night came when he performed “Wah Yo Deh Pan,” igniting a frenzy that turned the entire venue into a celebration. The crowd wasn’t just watching — they were living every beat, every lyric, every vibe.
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With his unmatched stage presence, raw energy, and natural connection to his audience, Ayetian transformed the performance into a full-on experience. From start to finish, he commanded the stage like a true star — blending confidence, crowd control, and cultural authenticity to deliver a show that fans won’t forget anytime soon.
The show was not solely a solo act, as Ayetian was flawlessly supported by talented backing artists, sound systems, and fellow performers who elevated the overall experience to new heights. Collaborations with acclaimed acts such as Rampage SoundSystem, Seanie B, and Lady Leshurr added layers of dynamism and diversity to the performance, creating a rich tapestry of talent that further solidified Ayetian’s status as a force to be reckoned with in the reggae and dancehall scene.
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Ayetian’s versatility and skill were on full display as he effortlessly transitioned between his hit tracks like “Balance,” “Anyweh,” and “Tip,” showcasing his range and ability to deliver a standout performance with each song. His seamless blend of infectious rhythms, powerful lyrics, and authentic stage presence left a lasting impression on all in attendance, cementing his reputation as a rising star destined for greatness.
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Overall, Ayetian’s London show at Brixton Electric was a testament to his exceptional talent and star quality, with reviews unanimously praising his energetic performances, engaging audience interactions, and undeniable presence as a rising star in the UK’s reggae and dancehall scene. The night was a celebration of music, energy, and the undeniable allure of Ayetian’s unique artistry, leaving no doubt that his electrifying presence will continue to shine brightly on stages around the world.
3 Cold Dishes - Movie Premiere at Indigo O2 London
Movie Premiere Event
The movie premiere of “3 Cold Dishes” took place at the prestigious Indigo at The O2 in London on September 5th. The red carpet was abuzz with excitement as the main cast members, directors, producers, and other key figures arrived to showcase the impactful film. The premiere was a star-studded event, with all attendees eagerly anticipating the fresh and powerful narrative of the film.
3 Cold Dishes – Movie Premiere at Indigo O2 London
At the premiere, there was a lively talk session where stars of the movie, as well as directors and producers, shared insights into the making of the film and the significance of its message. Translators were on hand to facilitate communication, bridging languages and cultures to ensure that everyone could fully grasp the depth of the story being told. Limited French was used during the event to highlight the Pan-African elements of the film and to shed light on the issue of human trafficking in Africa.
Main Characters’ Performances
The performances of the three female leads – Esosa from Nigeria, Fatouma from Côte d’Ivoire, and Giselle from Benin – were lauded as exceptional and emotionally resonant. Each actress brought a unique strength and vulnerability to her role, embodying the trauma, resilience, and determination of their character with depth and authenticity. Their on-screen chemistry and individual portrayals captivated the audience and garnered high praise from critics and viewers alike.
3 Cold Dishes – Movie Premiere at Indigo O2 London
Synopsis
“3 Cold Dishes” is a gripping Pan-African revenge thriller that follows the harrowing and empowering journey of three women who reunite to seek justice against the men who trafficked and exploited them in their youth. As the story unfolds across West Africa, the audience is taken on a suspenseful and emotional ride, witnessing the women’s transformation from victims into powerful agents of retribution.
The film delves into themes of trauma, sisterhood, identity, and the complex legacy of human trafficking, offering a fresh and poignant perspective on a harrowing reality faced by many across the continent. Through a blend of intense action sequences, heartfelt performances, and thought-provoking storytelling, “3 Cold Dishes” leaves a lasting impact on its viewers, prompting reflection on resilience, justice, and the enduring power of hope.
3 Cold Dishes – Movie Premiere at Indigo O2 London
Overall, the movie premiere of “3 Cold Dishes” was a resounding success, with all in attendance praising the powerful performances of the female leads, the compelling narrative, and the film’s ability to shed light on an important social issue with both sensitivity and boldness. The event at Indigo at The O2 in London marked the beginning of a new chapter in African cinema, showcasing the talent and storytelling prowess of the region to global audiences.
