Chronixx Returns in Full Force to Close ReggaeLand 2025
Chronixx delivered a flawless, career-defining performance to close out ReggaeLand 2025, leaving fans across Milton Keynes Bowl and the internet buzzing with praise. With a new band, but the same signature polish, poise, and lyrical fire, Chronixx reminded the world why he remains one of reggae’s most revered modern icons.
From the opening notes of “Skanking Sweet” to the crowd sing-along of “Smile Jamaica”, Chronixx wove through fan favourites, deep album cuts, and fresh material, all while connecting deeply with the audience. “Ain’t No Giving In”, “Spanish Town Rockin”, and his blend of roots reggae and dancehall classics showed not just versatility, but total mastery of the craft.
And then—the big announcement: Chronixx revealed a new album titled Exile is on the way. Fans erupted, both live and online, with the news. Tweets poured in describing the performance as:
“One of the best performances I’ve seen in a long time—not just reggae, but in general.”
“Serious artist, real quality performer.”
“Chronixx’s performance today was probably the greatest live performance I’ve ever seen.”
“PERFORMERRRRRR. You carried the night.”
With a band that delivered impeccable transitions and a seamless flow—even without his usual Zincfence Redemption crew—Chronixx maintained top-tier musical quality. His interactions with the crowd were frequent and genuine, prompting whistling, pull-ups, and mass sing-alongs.
One unforgettable moment came during a musical transition medley, described online as “crazy” and “mad” by fans stunned at the band’s execution. Another fan tweeted, “Chronixx’s performance mirrored Bob Marley’s message—timeless, rooted, and global.”
His live show also welcomed guest appearances, and despite new material being introduced, it was equally well received as his classics—a testament to the trust and love his fans have for his sound and message.
With this set, Chronixx didn’t just close ReggaeLand 2025—he elevated it, setting the stage for the next chapter of his artistry with Exile and reminding us why he’s not just a performer, but a movement.
